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Arts & Life Featured

BDC concert to feature student choreography


By Katie Monigan

Arts & Life Editor

Although the Department of Theatre and Dance staged its Fall Dance Showcase just four weeks ago, there’s plenty of dancing on campus again this week—this time with a twist.

This weekend’s show will be performed by the Bucknell Dance Company (BDC), a group of around 25 students who auditioned and began work for this show in September.

The show features three student-choreographed pieces, three choreographed by faculty members and one choreographed byStephanie Yezek ’08, who is currently dancing professionally in the Washington, D.C. area.

The show’s dances are all conceptually deep and substantial in length—most are six to 10 minutes. The show features three student pieces, which have been developed throughout the semester with the help of members of the dance faculty.

The “twist” to this show is that it actually focuses more on the theater aspect of dance. “We’re fortunate to have professional costume, set and lighting designers for the show. It adds a rich aspect and allows for much more developed, cohesive ideas,” faculty director Kelly Knox said.  Each faculty member mentored a student choreographer for the entire process, working with them to create a style and helping to express their ideas more clearly.

“[My piece] explores the false impression that we have solved problems associated with diversity of mind, race, religion, etc.,” Liz Burdick ’12 said of her piece, “Illusion.” With the help of costume designers, she has incorporated bands as both costume and prop for conceptual expression. The dance is split into three considerably different sections that each explore a different side of illusion.

Fellow student choreographers Mikaela Soto ’12 and Kelsey Tangel ’11 created pieces entitled “Fulfill” and “Outwardly Gazing,” respectively. Knox described Soto’s piece as “truly lovely” and described Tangel as “really quite talented.”

Not surprisingly, the students are also incredibly thankful for the opportunity they have been given by choreographing for this show. “It was unbelievable that at 21 years old I was able to choreograph my own work on such talented dancers, with a lighting design team, costume designer and three dedicated professors to help support me every stage of the way,” Tangel said.

In addition to the student pieces, each of the three dance faculty members—Knox, Er-Dong Hu and Dustyn Martincich—have choreographed pieces of their own. Hu’s piece should be noted for its set— elaborate and custom-made to “frame” dancers for his family portrait-themed dance.

The dancers themselves have for the most part rehearsed weekly for each dance. Each dance generally has five to eight performers, and there are seven dances, so there is considerable overlap within the 25-dancer company. Tangel, a four-year company member, said it is a “truly amazing program” and that it was “avenue for self discovery” during her time at the University. She considers her fellow dancers and the dance faculty her family away from home and is very thankful for what the program has offered her.

The show has required an immense amount of time and effort, but all involved have no regrets. “Choreographing a main-stage piece has been super challenging, with a lot of in and out of the studio work. My dancers are stunningly beautiful and have worked so hard. They’re always willing to try anything I throw their way; they’ve made this complex process an absolute joy, and the faculty have offered unrelenting support, guidance and creativity every step of the way,” Soto said.

The BDC performs this Friday and Saturday at 6 and 8 p.m. in Harvey Powers Theatre. Tickets are available for purchase at the door.

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Arts & Life Featured

The elements of fall fashion ’10

By Elizabeth Tamkin

Arts & Life Editor

It’s that time of year when the crisp cold of the morning conflicts with the warmth of the sun in the afternoon. The fall season has always been fashion-lovers’ domain when it comes to dressing and layering in favorite designers’ fall and winter lines to balance out inconvenient temperature changes throughout the day.

Fashion week just happens to fall early in the glamorous season. When it comes to fall fashion 2010, designer royalty such as Marc Jacobs and Rag and Bone are turning to the “Model-Off-Duty” look—that simple and carefree look of layers and casual comfort. Women all over New York City streets are finding ways to outsmart the conflicting weather patterns of the fall: a floral dress with cable-knit socks and chunky-heeled leather booties with a thick cardigan layered under an anorak is perfect as you can lose the anorak later in the day when the temperature rises.

Shorts don’t end with the summer season—fashionistas pair plaid wool shorts with thick cable-knit stockings. Leather oxfords weren’t only for prep school as this season women wear oxfords with stockings to pay some tribute to the menswear obsession. Don’t forget your briefcase—or satchel—as menswear doesn’t stop at shoes. Reasonably affordable brands like Tory Burch and J.Crew added sharp leather satchels to their collections this fall.

The blazer has stood strong for over a year now—with variations of the trend from sharp padded shoulders to cropped and double breasted editions. The menswear blazer has found company from the varsity jacket, a tribute to the 1950s.

“My blazer is my favorite article of clothing. Blazers can be worn for any occasion and they also work for every season, depending on the material it’s made from,” Meg Brenner ’14 said.

And the poncho and high-waisted pant didn’t die with the 1970s either. Ponchos have popped back up in fashion lines. Chloé, Alexander Wang and the resurrected Halston Heritage have each personalized this hot trend. Ponchos are found as cozy knits and thick woolen coats to keep the trendy warm. High-waisted pants have been sported only by the fashion elite. They tend to be one of those biased trends, as only a certain body type can wear them.

PETA would be proud—faux fur has been popping up in stores this season. Stylist Rachel Zoe of Bravo’s “The Rachel Zoe Project,” which just completed its third season, has expressed her love of the faux fur fashion trend via her newest line for QVC; the line includes reasonably priced faux fur vests and cropped coats.

“My faux fur vest looks pretty real, and I love wearing it with jeans or when dressing up, with a dress,” Julie Fraenkel ’14 said about the popular faux fur trend. “The only problem is, you can’t wear it in the rain.”

What PETA may not love is the plethora of shearling jackets of Helmut Lang or 3.1 Phillip Lim, who have included these jackets in their fall lines. But some brands, like TopShop and Juicy Couture, have turned the shearling jacket animal-friendly by incorporating faux leather and faux fur versions.

For those trendsetters and followers known as “shoe people,” the dainty ballet flat stays in the spotlight, joined by the western-styled bootie and second-year-strong over-the-knee boot.

“If you can’t tell, I love these boots,” Christina Maloomian ’14 said as she pointed to her own over-the-knee boots. “I’m considering asking for another pair.”

Women cannot get enough of the skinny-pant-chunky-shoe look to make petite frames look even more petite. Fashion icons Kim Kardashian, Kate Moss and Blake Lively have promoted the over-the-knee boot, and it doesn’t hurt that it has hit the runway again, either.

The fashion capitals of the world—New York, Paris, Milan and London—each proved deserving of their titles over recent months, starting with New York City Fashion Week in the beginning of September. While the shows were previews of the spring/summer styles for 2011, the women and men who attended the shows sported the trends of the current season. Because half of the excitement of fashion shows is what the audience chooses to wear, it wouldn’t be fair not to mention the exotic street styles. Women followed the trends but made them their own by adding various pops of color or the random statement accessories.

In the Spotlight: the high-waisted pant

Déjà vu? The high-waisted pant has resurrected since its last run in the ’70s. Whether used in a denim or woolen short or in a pantsuit, the high-waisted pant has proven itself prominent in the fall 2010 fashion season and seems to be continuing into the spring/summer 2011 season, as demonstrated by the most recent fashion shows. Interested in purchasing a pair to add to your wardrobe? Well, Chloé, Valentino, Yves Saint Laurent, Emilio Pucci and Alberta Ferretti each have made this pant their own but at a cost of sometimes even $1,000. For the average fashion-forward woman, Theory, Alexander Wang and several jean companies such as J Brand or Current/Elliot have also provide you with variations of the pant. Welcome back to the ’70s!

Beyond clothes

Nails, nails, nails! Women have become obsessed with manicures, and they have injected this part of their grooming with trends. Chanel is known to be the primary nail trendsetter, as their colors tend to sell out within days of their debut. Rachel Zoe’s collection of nail polishes illustrates the love of Chanel’s nail “colours” perfectly.

Today, nail trends go beyond the perfectly polished fingernail; manicures now include a “matte finish” which dulls down the shine of the nail, or even the chipped-nail trend, which, just as it sounds, is chipped nail polish—women pay extra for this imperfect manicure. And patterns don’t end at the clothes you wear: recently, manicures include checkered prints, polka dots and animal prints. Next time you go to the nail salon, ditch the outdated bright pink and go for a “khaki brun” or even a zebra print, if you dare.

An urban gem for footwear

With so many trips to cities offered here at the University, why not take advantage of the ones to New York City, the fashion capital of the world? The bountiful amounts of stores are nothing less than spectacular and equally amazing are the women walking down the streets dressed head-to-toe in the greatest shopping finds known to mankind. David Z., located in eight different locations in the Big Apple, is home to new rustic footwear styles and classic brands. From the newest UGG boots (which by the way, include some new motorcycle-inspired boots whose edgy details make you wonder if they are even UGGs, even though they still have the warm sheepskin lining) and classic Converse fashion sneakers, to the more fashion-forward style of Jeffrey Campbell, David Z. has both comfort and style in mind. With the western-style leather bootie popping up everywhere, David Z. is a necessary visit.

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Arts & Life Uncategorized

Shepardfest

By Katie Monigan

Arts & Life Editor

Sam Shepard, an American playwright, has composed more than 50 plays, so when the theatre department decided to make him the focus of the fall season, it took an interesting approach. Whereas the usual method of collegiate play performance is to perform the same, full-length work for several nights, Shepard’s work led them to instead perform 11 of his plays over two weekends.

These plays, some of which are adapted short stories, range from five to 40 minutes, and according to director Gary Grant, many of them are rarely performed. Most of the plays have two to three main cast members, with the exception of “tongues,” which contains the full cast of 17. When actors are not in the spotlight, they fill other roles as part of the ensemble.

The main roles rotate between actors, so each artist has the chance to perform an “Aria Monologue,” which according to Grant is “when characters just start talking and talk for a while.” It is a common feature of many of Shepard’s plays, and he said it was important that as many people as possible have the experience.

This distribution of roles seems to have led the students involved with “Shepardfest” to establish close bonds with their fellow cast members.

According to Sheridan Gates ’14, who works behind the scenes, “everyone is so collaborative. Doing this is a huge time commitment, but it made everyone really close. I’m really impressed with the whole process.”

In addition to their unique scheduling of performances, setmakers have been creative with the way the audience views “Shepardfest.” While there is traditional seating in the back of the theatre, there is additional seating just under the stage in chairs around tables, to create the feel of a café and involve the audience further. Two large screens sit on the stage for video projections of old comedies and television shows, created by Diego Chiri.

The plays are diverse in content, style and musical content. One is actually a collaboration with Patty Smith, who writes rock-and-roll poetry.

“Shepard’s plays are set in the most ordinary of circumstances, but outrageous things happen. The characters are so interesting, there’s an unrelenting progression to the plot and the language is so descriptive and so visual that you are compelled to suspend your disbelief,” Grant said. “Things are as they seem to be, and they are not as they seem to be, and sometimes this incongruity frightens terribly or makes us uneasy. But usually in a Shepard play, these juxtapositions are very funny.”

“Shepardfest” has its final performances this Friday, Saturday, Sunday and Monday, at 8 p.m. in Tustin Theatre.

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Uncategorized

Around Campus

Music

“Raise Your Glass”—Pink

The best word to describe Pink’s new album is “quirky.” At one point in the explicit version, she starts singing too early and interrupts a drum break and drops the f-bomb in a whisper. That sort of “I don’t care what you think of my music” attitude that is so typical of Pink is present throughout the song. Her lyrics profess she is loud, an underdog and “wrong in all the right ways.”

During the chorus “Raise Your Glass” she proposes a toast to her weirdness (hence the name). It’s got a really strong drumline in the chorus that’s not too overpowering, which makes the whole song very fun without having that Justin Bieber-y pop sound that kids like. The lyrics are a little out there, but that’s pretty typical.

Taylor Swift’s Entire New Album—Speak Now

It’s almost absurd that this is possible. For the past few weeks, Taylor Swift has been sporadically releasing one song at a time from this album to build up hype, and each one of them has been insanely popular. The first day of the release of the album, Monday (Oct. 5), 10 of the top 20 most downloaded songs on iTunes were hers. It’s almost unbelievable. Of course they all sound similar stylistically, but most of them are pretty decent, and the huge number of people who already have the album is proof of her apparently never-ending success.

“We R Who We R”—Ke$ha

Just in time for her visit to campus, Ke$ha has debuted a new single. It’s got a lot more actual singing than her other songs, but there are also portions with her signature talk-singing that you really can’t describe in words. Despite this minimal change, she is as popular as ever. It’s got the same meaningless lyrics typical of her songs, though. “We’re dancing like we’re dumb, dumb, dumb, dumb, dumb, our bodies going numb, numb, numb, numb, numb” is the beginning of the chorus. It’s been successful in the past, though, so why change it?  Hopefully we’ll hear this one when she comes to campus on Friday.

Friday, Oct. 29

2:30 p.m. Engineering 100 C&E Event, Davis Gymnasium

2:30 p.m. Law Network Event, Elaine Langone Center Arches Lounge

7:30 p.m. Alumni Awards Presentation, Trout Auditorium (Vaughan Literature 100)

8 p.m. Shepardfest II, Theatre Performance, Tickets $8, Tustin Theatre

8:30 p.m. Alumni Awards Gala, Upstairs Elaine Langone Center

10 p.m. Late Night Alum. Austin Ziltz, 7th Street Café

Saturday, Oct. 30

8:30 a.m. Senior Legacy Reception, Elaine Langone Center Walls Lounge

11 a.m. Academic Village, Academic Quad

12 p.m. Field Hockey vs. Colgate, Graham Field at Holmes Stadium

1 p.m. Football vs. Lafayette, Christy Mathewson-Memorial Stadium

4 p.m. Women’s Soccer vs. Colgate, Emmitt Field at Holmes Stadium

8 p.m. ‘Fraulein Maria’, Doug Elkins & Friends (A Deconstruction of the Sound of Music), Weis Center

8 p.m. Shepardfest II, Theatre Performance, Tustin Theatre

9 p.m. Krimson and Kream Ball, Larison Dining Hall

9:30 p.m. Halloween Costume Party co-sponsored by DoRAK, Uptown

10 p.m. $1 Movie “Dinner for Shmucks,” Rooke Chemistry 116

Sunday, Oct. 31

5 p.m. Trick-or-Treat for Change, Smith Hall Third Floor Lounge

6 p.m. Halloween costume contest, Vedder Pit

8 p.m. Sophomore Recital: Mislav Forrester, trumpet, and Kayla Rossi, clarinet, Weis Music Building, Natalie Davis Rooke Recital Hall

8 p.m. Shepardfest II, Theatre Performance, Tustin Theatre

Monday, Nov. 1

7 p.m. Social Justice Speaker, Paul Loeb, Trout Auditorium

7:30 p.m. All of Us Supporting Americans Awareness Talk, Elaine Langone Center Gallery Theatre

8 p.m. Shepardfest II, Theatre Performance, Tustin Theatre

Tuesday, Nov. 2

12 p.m. Senior Excuses Lecture, McDonnell 242

4 p.m. PIAA Field Hockey Playoffs (High School), Graham Field at Holmes Stadium

5 p.m. Capitol Hill Internship Program Info Session, Elaine Langone Center 217

6 p.m. Goldman Sachs Info Session, Elaine Langone Center 272

7 p.m. Bucknell in London Info Session, Elaine Langone Center Walls Lounge

7 p.m. Mary Ruefle Poetry Reading, Bucknell Hall

7 p.m. Wresting Bison Blue/Orange Match, Davis Gym

7:30 p.m. Bucknell Forum, Neri Oxman, Trout Auditorium

Wednesday, Nov. 3

11:45 a.m. Women’s Sports Luncheon, Elaine Langone Center, Center Room

6 p.m. Conti Information Session, Taylor 115

7 p.m. Tony Ong, Taipei Economic and Cultural Office in NY, Elaine Langone Center Forum

8:30 p.m. Jazz at Bucknell, Bucknell Hall

10 p.m. $1 Movie “Twilight: Eclipse,” Elaine Langone Center Forum

10 p.m. Wacky Wednesday, Vedder Hall Living Room

Thursday, Nov. 4

4 p.m. Open Forum—Merit Aid, Trout Auditorium

7 p.m. Understanding Healthcare for Students, Rooke Chemistry 116

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Arts & Life

Improv comedy troupe performs during Family Weekend

By Katie Monigan

Arts & Life Editor

For Family Weekend, improvisational comedy troupe We Brake for Nobody performed twice last Saturday, once in the Elaine Langone Center Forum and once in Trout Auditorium.

The show began with three videos of skits the members prepared beforehand. The last video introduced their three new members: Ben Rees ’14, Julian Fleming ’14 and Meg Visokey ’13, who all joined in September. They then played a series of games that incorporated audience suggestions.

The final game was called “Innuendos.” All the troupe members stand in a line and the audience suggests an object or occupation, and each member steps out, one at a time, and says, “I like my men like I like my blank,” and then justifies their answer. Since members are not forced to offer an answer for every audience suggestion, this fast-paced game is more amusing than it sounds. The show consisted of about 10 games, and every game triggered significant laughter from the crowd.

We Brake for Nobody was founded in 1998 by Ben Wellington, who then went on to start a troupe at NYU called Dangerbox. We Brake consists of 11 members, two of which are women.

“Men have historically had more power and influence, which makes it easier and funnier for them to be vulnerable on stage. Women, however, not only have to be funny, they have to combat the subconscious and societal structure that has been around since a society of people was a thing,” Sam Nelsen ’11 said.

Their two women are up to the challenge.

“Meg [Visokey] and Ali Keller [’12] represent the females in our troupe and are extremely hilarious,” Nelsen said.

Nelsen explained that the troupe members are generally minimally experienced in “improv,” if at all and just “tend to be naturally funny.” They do practice twice a week for an hour and a half, and more recently have been learning “long form improv” from a group from Chicago called Charles Grodin that includes We Brake alum Lars Weborg ’06. Long form is more like an improvised play, rather than individual games.

According to Jack Wiles ’12, practices are more frequently “very unstructured and basically time for us to get to know each other’s senses of humor. We also like to get a little more crude in practice compared to our shows.”

He says this is because it’s more challenging to not be crude, but also because there are frequently parents and small children in their audiences.

“We don’t use [practice] time to plan out what we are going to say or do, we use it to become better and more comfortable with making scenes work. We have to practice creating character, living in circumstances and other aspects of improv that help us fit the form,” Nelsen said.

Judging by the crowd at the 4:00 p.m. Trout Auditorium show, there is plenty of enthusiasm on campus for We Brake. Expect to see continued growth from John “One Hit Wonder” Pikowski ’13, Jasper “Banana Cat” Young ’12, Meg “Pie Kill” Visokey, Jack “JR” Wiles and the rest of the We Brake members.

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Arts & Life Review Television

Off the Tube: ‘Grey’s Anatomy’

By Katie Monigan

Arts & Life Editor

In the season seven premiere, “Grey’s Anatomy” had a lot of loose ends to tie up. In the season six finale, a deceased patient’s husband came to the hospital with a gun and shot or tried to shoot just about everyone who matters, including, most dramatically, Derek Shepherd, through the heart. Cristina then performed his surgery on her own—at gunpoint.

The new season reveals that the surgery was a success, and that McDreamy has survived. Phew.

Everyone’s shaken, especially Cristina and Little Grey, who both have nevous breakdowns, but almost everyone is okay.

Although the shooting brought much-needed excitement to a dwindling plotline, as did occasional crossover episodes last season with “Private Practice” (an ABC network spinoff of “Grey’s”), “Grey’s” can’t sustain the same fanbase it once boasted. It’s most likely the simultaneous loss of George and Izzy, played by T.R. Knight and Katherine Heigl. They’ve brought in Owen, Teddy and Arizona, but the loss of two crucial original characters was a real blow to the series.

As usual, the medicine is ridiculous. In the second episode of the season, an entire flag football team gets struck by lightning, causing temporary paralysis and a variety of burns to the team members. Alex Karev has a bullet in his chest and wants to keep it inside him because he thinks it looks tough, but his body is physically pushing it out of his chest. It’s not very exciting, but it’s a little bit ironic that the quintessential tough guy’s body is physically refusing to let him be tough. If anyone pokes him in the chest, he squeals in agony.

Overall, the series’ luster seems to be dwindling. There’s still plenty of crazy drama, but without Izzy and George, in addition to the loss of Burke a while ago, “Grey’s Anatomy” is losing its gusto, and it will probably take a majorly exciting change to turn the series around.

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Arts & Life

Fall Fest 2010

By Jessica Rafalko

Writer

Rap artist Sam Adams says he doesn’t get stage fright—which is fortunate, considering the crowd of students that flocked to Sojka Lawn see his performance at Fall Fest on Saturday, Sept. 25. “It’s the best part of the day, to actually do your show,” Adams said.

The final performer of the day, Adams took the stage at 6:00 p.m., after a brief performance by G. Curtis. Adams encouraged the crowd to move even closer to the stage and to “make some noise.” Not one to disappoint an eager audience, Adams delivered a performance that begged two encores from the crowd. They chanted “Sammy,” urging him back onstage.

Fall Fest is organized each year through Activities and Campus Events (ACE) and the University’s Campus Activities and Programs (CAP) Center.“The CAP office is the car, but ACE is the wheels,” said Dorsey Spencer, assistant director of CAP.

ACE was responsible for choosing this year’s musical act and setting up the day of the event.

This year’s theme was “Bucknell Goes Green.” There were lines of garbage and recycling cans on the lawn. One group was for biodegradable trash, the other for compostable food.

ACE members also manned a number of stations at the event. Some sat at a table handing out free water bottles. Others watched over the tie-dye T-shirt and customized Frisbee stations. There were inflatable jousting pits, obstacle courses and a dunk tank.

Some student organizations, including the environmental club and the Bucknell Professional Network (BPN) also had stands. Justin Brodie-Kommit ’12, head of the BPN, sees Fall Fest as the perfect opportunity for a number of campus organizations to connect with students.

“We’re just trying to let the community know that we’re here on campus,” he said.

Fall Fest encouraged networking and socializing with its open and friendly atmosphere. Students played catch and Frisbee on Sojka lawn. Some people brought children and pets. As student musicians performed, people sat on the grass to listen.

Brian Brundage ’11 played a solo set before joining the Body Electric (Nick Horner ’11, Seth Chizeck ’11, and Alex Apfel ’12) for their set.

After a barbecue-style dinner prepared by the Bostwick staff, DJ Doug Bogan ’13 took the stage. He invited Darren Harris ’13 to rap for the audience. A number of students crowded around the front of the stage, growing more enthusiastic as Adams’ performance drew closer.

The first non-student act, Na Palm, offered a personalized, energetic performance, further riling the crowd. At one point, they described Fall Fest as “a mini … Woodstock.” This seemed a fair comparison in terms of the atmosphere of the event—though the musical offerings at Fall Fest may have differed a bit from performers like Jimi Hendrix. The enthusiasm of the crowd powered the event and crescendoed during Adams’s high-spirited and engaging closing performance.

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Arts & Life Featured

Center Stage entertains campus

By Brent Walkoff

Contributing Writer

Photo by Edward Louie
Student band BigFoot opens the Center Stage festivities Saturday evening.

From bread bowls to impromptu dance parties, this year’s Center Stage event seemingly had it all. Held on Saturday, Sept. 11 on Sojka Lawn, Center Stage 2010 featured music, a cappella groups, free food and Weekend Update host Seth Meyers.

The event, organized by Activities and Campus Events (ACE) and free for all University students, was a hit.

“I think Center Stage went amazingly well,” said Mary Evans ’11, Vice President of Advertising for ACE. “People came to the performance early to grab seats and most stayed the entire time. And the number of people who came was fantastic,” she said.

Evans estimates that around 2,000 people attended the event.

Student band Bigfoot opened the evening, performing cover and original songs. The background tunes accompanied many students’  favorite aspect of the night: the food. From soup to cookie dough on a stick to hot apple cider, there was no lack of happy, full college students. The soup in bread bowls seemed to be a particular favorite of the crowd.

“The soup, now that was good. That was really good,” Connor Beach 14 said.

Bucknell’s various a cappella groups came next, each group taking the stage to perform a few select songs. The Silhouettes, Two Past Midnight, Beyond Unison and the Bison Chips all sung their own musical selections. Although the performances seemed somewhat drawn out at times, the groups took the stage professionally and enthusiastically, a testament to the amount of time they put into practicing. As entertaining as the groups were the highlight of the night was unquestionably the routine put on by Seth Meyers.

By Reynolds Risseuw
Seth Meyers entertains the campus with his comedic stylings on the Sojka Lawn.

Meyers, head writer and anchor of Saturday Night Live, took the stage with a big smile and confidence in his step. What followed can only be described as a stand-up routine brimming with the kind of humor that college students have come to know and love. From sex to drugs to drinking and back to sex, Meyers covered every topic a typical college student could want. Meyers’ routine was met with laughs and cheers. A few students even appeared to be in physical pain from laughing throughout the night.

“I like how he tailored it towards the college student. His routine was very college oriented; his jokes were clearly designed for us,” Beach said.

His routine struck home. Even the occasional hiccup during his bit, such as a few students sitting front and center leaving during his performance, did not faze him. He was able to use such situations to his own benefit, quickly firing off a poke at the students.

“It was obvious that the students were having a great time and that’s what I wanted to see. People were laughing, myself included, for every Seth Meyers joke and I heard several people say afterward that he was the best comedian we’ve had at Bucknell,” Evans said.

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Arts & Life

Exploring the Samek Art Gallery

By Katie Monigan

Arts & Life Editor

The permanent collection of the Samek Art Gallery, located in the Elaine Langone Center, boasts more than 5,000 works of art—from Renaissance and Baroque painting to pre-Columbian objects—with a specialty in photography and prints. It is sponsored mostly by donations from alumni and local supporters. The collection started in 1853, when it was stored in the Bertrand Library, and moved to its current home in the Edward and Marthann Samek Art Gallery in 1983.

Despite the presence of such a large gallery on campus, students rarely take advantage of this resource.

Harry Bradford ’13 said he did not even know there was a gallery on campus. “I’ve heard of it, but I don’t know where it is,”  Ariel Savrin-Jacobs ’13 said.

Tracy Ann Graham, the gallery’s assistant registrar, admits a large percentage of students are not familiar with the Samek Gallery. She attributes the low attendance to the location. “Unless a student has a class or comes to an event in the Gallery Theater, or has business in the CAP center, they may graduate from Bucknell without ever venturing above the 1st or 2nd floor of the LC,” she said. Graham hopes to encourage attendance through continued work with individual classes and also through programming advertised through the Message Center.

Despite its apparently minimal attendance from students, the gallery continues to host special exhibitions and an annual student show. Following the current exhibition, the 2010-2011 season will include “Xiaoze Xie: Amplified Moments” from Oct. 11 to Nov. 21, an AIDS quilt display from Nov. 29 to Dec. 7, “Deng Guoyuan and Rosalyn Richards: Works on Paper” from Jan. 28 to March 30, and “Collection Focus III: In Chicago” from Jan. 28 to March 30. The year will culminate with a student show for the second half of April.

Though in prior years the student show has been a showcase of all the art classes offered at the University, according to gallery operations manager Cynthia Peltier, this year’s show will instead focus on work by students in a Senior Projects class, with additional work of three graduate students in Printmaking, Photography and Sculpture.

Currently “The Sleep of Reason, A Cautionary Tale,” an exhibition by Deborah and Richard Cornell with audio by Richard and installation by Deborah, is on display. The exhibit will run through Oct. 3.

According to the gallery website, the Cornells’ work is a reaction to “the potential for changing the foundation of the natural world by the ‘unraveling’ of DNA.” The display features a boat-shaped container filled with sculpted human hands, seashells, scientific instruments and lizards. The audio is reminiscent of a forest, incorporating the sounds of crickets and other insects. The audio was “filtered to reveal aspects beyond the natural scope of the human ear.” It contains the sounds of crickets, tree frogs and the silver-haired bat.

The Cornells will present their lecture “The Sleep of Reason: A Cautionary Tale” Sunday, Sept. 12 at 1:30 p.m. in the Gallery Theater.  A reception will follow the lecture during which visitors can meet and talk with the artists.

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Arts & Life Featured

A semester in Bath

By Brenna English-Loeb

Senior Writer

When I was in middle school, I read the “Song of the Lioness” quartet by Tamora Pierce and I was hooked. I wanted nothing more than to become a knight in medieval England—but if that wasn’t possible, I wanted to at least visit England. By the time I was able to go to England this past semester, I had learned that the Middle Ages were not exactly a time period I really wanted to visit (no personal hygiene, for one), but by then I had discovered the glories of British and Irish accents. So I achieved a practically life-long goal when I was able to spend a semester abroad in Bath.

Bath is a World Heritage Site because of the Roman Baths, a natural hot spring that the Romans seized from the Celtic peoples as a much-appreciated reminder of warm Italy. Bath is also the sometime home of Jane Austen (although it turns out she didn’t really like the city all that much) and centuries of culture. Because of its World Heritage status, Bath has remained in much the same condition as it was during Austen’s day, with walkable streets and beautiful stone buildings.

The program I attended, Advanced Studies in England, housed us in real homes across the city, and our classes took place in one of the last remaining houses that belonged to Lord Nelson (which features many portraits of the man decorating the building). I lived with seven other students from several different universities in the United States. We became a very close-knit group, traveling and experiencing the country together as we did. Our house was on the opposite side of town from Nelson House, about a mile’s walk.

My route took me near the Royal Crescent and through the Circus, both prominent Bath landmarks, as well as the city center. The city center had tons of truly British pubs and shops as well as gifted street performers. The Roman Baths, the Pump Room and Bath Abbey are all in this area. Almost all the buildings in Bath are made of the same distinctive stone, and that in combination with the many green and flowering parks makes Bath one of the most bewitching cities I’ve known.

But my time abroad was much more than sightseeing. By spending so much time living among the British, I got a taste of what life there is really like. I now know the value of constantly having a cup of tea and what real chips are like (Hint: They’re not thin and crunchy; we’re talking about what we call french fries, only better). I even mastered the act of looking the right way when crossing the street.

Besides visiting England, Scotland, Wales and Ireland, I also toured Greece and France. It was my first time going anywhere so far away or for so long without my family. In addition to experiencing the vastly different cultures of all these places, I learned to have confidence in myself and my ability to navigate the often confusing and intimidating adult world.

I am most proud of my trip to France, which I took when my semester in Bath ended, because I went completely alone. I was forced to practice my rusty French and found that people were really impressed with my speaking ability. While visiting the Louvre, I spent a half hour talking to a man about the differences between France and America as well as our favorite art.

Now that I’m back in the United States I miss England terribly. I miss the way everyone walks or takes the train instead of driving, the sense of history and the way one minute I could be in serene countryside and the next in the middle of a thriving city. I miss all the great friends I made in my program as well as the Bathonians I got to know. Needless to say, I have been planning my return since I got back.