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Arts & Life Campus Events Review

Racial issues creeping into higher education prove worthy for discussion

Elaine Lac
Contributing Writer

Not many people truly understand the effects of racism on higher education. For Dr. Robin DiAngelo, an expert in whiteness studies, her awareness of racial issues has led her to confront the issue head-on.

On Aug.  23 at the Elaine Langone Center Forum, DiAngelo explained that racism is very much a part of society, but in a different context than during the Civil War era. Now, there is an unwillingness to mesh different racial groups.

“It’s hard for white people to get into this conversation, and like [DiAngelo] was saying, white people usually see it as a problem, but not as a personal problem. I think changing the lens from racism to whiteness makes it clearer that it is white people’s business which gets them into the conversation,” said Coralynn Davis, director of Women’s and Gender Studies.

DiAngelo used her teaching experience as an example; students who lived in predominately white areas wrote about their experience with racism. The responses generally came back as: “I was really lucky. I grew up in an all-white neighborhood, so I didn’t learn anything about racism.”

DiAngelo replied that this lack of exposure is the problem. She asked, “What if a person of color was introduced to the community?” They might respond, “We didn’t have this terrible thing [racism] until another race came. Just because there isn’t exposure doesn’t mean the problem doesn’t exist. Being closed off from multi-racial relationships leaves people uninformed, and only reinforces this ‘new racism’ where instead of being aware of race, people ignore it.”

The influence of white culture can be found everywhere. In education, which is DiAngelo’s main focus, 90 percent of teachers are white and the statistics are not shifting. In popular movies such as “The Lord of the Rings,” DiAngelo pointed out that 100 percent of the mythical creatures are white, while the enemies are portrayed as dark-skinned, indigenous looking monsters.

Her point was that racism still exists, but it doesn’t demonize people. Instead, people should be aware of other races and work to understand each other. In her last slide, she put up a picture of a cat stepping on a hot tin roof, symbolizing that people have to be careful about what they say since awareness is the first step towards the solution.

“It was interesting to see a woman who wasn’t of color giving a speech, and trying to point out the difference between the oppression that existed and trying to tell other people about white supremacy,” Aida Woldegiorgis ’16 said.

“I would like to see two things. I would like to see [the University] be more diverse, in all areas including students and faculty. I would also like us to be more competent as a community where everyone’s voices can be more easily heard,” Davis said.

 

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Arts & Life

Q&A with new Director of Outdoor Education: Tony “Tito” Stafford

Anna Jones
Writer 

What brought you to the University?

“It just seemed like a good fit for me. I really enjoy student development and I wanted to be part of a team that valued student development through outdoor pursuits. To be honest, they picked me. I’m satisfied [with the position] because Pennsylvania has good outdoor opportunities, which was exactly what I wanted in a new job.”

What exactly are you in charge of here on campus?

“I oversee Buckwild, ClimbBucknell, which is the high and low ropes challenge course, the Outing Club, which runs trips, Bison Bikes and Bucknell Landing, the boat landing that not many people know about. In the future, I hope to be a part of the climbing wall, too. I’m also a member of the Campus Activities & Programs (CAP) center team.”

What’s your favorite part of your new job so far?

“It’s just awesome. The student energy here is amazing. Buckwild is definitely great; it’s amazing the impact pre-orientation trips can have on incoming freshman.

Where else have you worked?

“I worked for six years in Res Life at the University of Denver,” where his passion for the outdoors really kicked in, thanks to the University of Denver’s outdoor opportunities. He then moved on to work with Outward Bound’s Adjudicated Youth program, which, after spending 300 days in the backcountry, “fueled [him] even more.” Next he headed to Old Dominion University, then to the Colorado School of Mines and finally ended up here, “a mesh of all my worlds coming together,” he said.

 How did you get so into being outdoors and outdoor education?

Stafford said his family was the primary factor in getting him interested in the outdoors because he grew up “fishing, camping and traveling a lot.” He worked in the salmon fisheries in Alaska for several yearswhich made him interested in “the hardcore outdoors stuff.” University of Denver’s high ropes course was inspiring and brought him closer to the outdoor education world. “Waking up everyday outside and saying ‘this is my office’ is an amazing feeling.”

What is your favorite outdoor activity?

“I do all of them. I’d have to say high altitude backpacking is my favorite, though, because I love being 1,400-1,700 feet up, where you don’t need anyone but yourself. You feel so small; it just inspires you to see more and do more. It’s just so simple, yet still so moving.”

Why do you think outdoor education is so important?

“I really believe people can learn so much about themselves [through outdoor education]. Once makeup, cell phones and computers are out of the way, one can really be true to themselves. The outdoors is a very supportive environment because everyone has to help each other out since you really can’t quit out there. The whole outdoor experience is transferable to life; there are so many metaphors for life out there.

What do you hope your impact on the University’s program will be?

 “My goal is to make this the best damn outdoor program in the country.”

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Arts & Life Campus Events Review

African rhythms ignite festival

Heather Hennigan
Contributing Writer

On Aug. 25, the University welcomed the Universal African Dance and Drum Ensemble (UAD) back to campus as a part of the second annual “Arts. Everywhere.” festival. The UAD performed during last year’s festival and was delighted to return to campus to share more original African dances and songs.

“We are honored and we appreciate being invited back to Bucknell to perform for the students again,” said Robert Dickerson, who founded the UAD with his wife, Wanda, in 1984.

The UAD is headquartered in Camden, N.J. and includes members from New Jersey, Pennsylvania and Africa.

Carmen Gillespie, professor of English and the current University arts coordinator, discovered the UAD as a consequence of their international reputation.

“We are fortunate to have a world class group performing on campus and are grateful to the community for supporting the event by showing up in such large numbers,” Gillespie said.

The UAD is passionate about representing the authentic and genuine beauty of African culture and performance and values family above all else. Last year, the UAD mesmerized the campus crowd with traditional African songs, instruments, dance and drum. The performance, which took place on the Science Quad, even featured a stilt-walker.

Wanda Dickerson also shared a little secret with the crowd–all members of the UAD are trained martial artists. This group activity helps the ensemble stay focused and disciplined, and serves to keep the group bonded and working smoothly as a team.

“Our performance is not just a performance; it is a workshop in which students can be educated and learn the value and the beauty of African culture. Africa is very important in a global sense, because it is one of the richest countries in terms of resources–it provides oil, minerals, copper, diamonds and many other vital assets. So much comes from Africa that it actually helps the world. We are privileged to show the beauty of African culture and hope that everyone appreciates the aesthetic and educational components of what we bring to our performance,” Robert said.

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Arts & Life Movies Review

Batman’s silver screen success thrills audience

Carolyn Williams
Staff Writer

To call Christopher Nolan (“Inception”) “master” of the summer blockbuster would be putting it lightly. His latest film “The Dark Knight Rises,” the epic conclusion of Nolan’s Batman franchise, is by no means an exception.

“The Dark Knight Rises” picks up eight years after “The Dark Knight” ended, and Gotham’s days of organized crime are becoming a distant memory. The Harvey Dent Law, named after Gotham’s dear departed white knight, has put away hundreds of mobsters, cleaned up Gotham’s streets and turned the city’s police force into a collection of complacent mall cops. The stalwart Commissioner Gordon (Gary Oldman) is about to be fired because he can’t adjust to peacetime police work, and is still covering up the lie which has vilified Batman, Gotham’s currently unsung hero.

Meanwhile, Bruce Wayne/Batman (Christian Bale) has been living as a virtual recluse since the death of Rachel in the last film, retired from acting as Batman, and kept company by his caretaker-cum-butler, Alfred (Michael Caine). Wayne is pulled back into the land of the living when a cat burglar (Anne Hathaway)–she’s never actually called “Catwoman,” but the implication is blatant–enters his home disguised as a maid and makes off with his mother’s pearls. Once again abusing the privacy of Gotham, Wayne tracks her down and the two form a flirty alliance. Their relationship is based on her desperation to escape her mounting criminal record and his desire for information on a growing threat to the city, a mysterious figure named Bane (Tom Hardy), which only a denizen of Gotham’s seedy underbelly could provide.

Bane, it turns out, is an expelled member of the League of Shadows, which Wayne is also a graduate of. But when Wayne left the group to fight against Ra’s al Ghul’s plans for chaos and destruction, Bane intended to complete this “noble” work by destroying Gotham once and for all. After Batman has been physically bested by the brutal villain, kidnapped and stripped of his fortune, he is forced to watch from a distance as all hell breaks loose, struggling against insurmountable odds to return to his helpless city. Bane’s army of malcontents patrol Gotham, which quickly devolves into a war zone, cut off from the rest of the world, and left to fight for its own life–or become a literal crater.

In the aftermath following the tragedy of the Colorado midnight premiere, fans continued to rally around the movie–proof of the film’s cult following.

“It would be difficult for any future Batman film to surpass Christopher Nolan’s end to the trilogy,” Ava Giuliano ’14 said.

Nolan is working with nearly all of his favorite actors on this project, and it shows. Though it is nearly impossible to compete with Heath Ledger’s unforgettable performance in the previous film, the ensemble cast could hardly be better. But with so much cool stuff happening, we are willing to overlook the little things. Sure, there are some gaping plot loopholes, such as a lack of explanation of what happened to the Joker and the fact that the talented Tom Hardy wore a mask that literally restricted his ability to act. We’ll forgive them because hey, it’s the new Nolan movie, and at the end of the day, it’s just that cool.

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Arts & Life Music Review

Passion Pit’s “Gossamer” displays musical growth

Connor Small
Writer

Passion Pit, led by singer/songwriter Michael Angelakos, is known for employing a unique and uncannily delightful blend of sparkling synths, pounding bass and shimmering drum sounds, all complimented by Angelakos’ haunting, yet endearing, falsetto to create their own blend of synthpop. Their latest album “Gossamer,” released on July 24, offers the same quality as previous albums, but in a new package.

“Gossamer” was two years in the making and follows the path set by its predecessor, “Manners” (2009) and is currently number 4 on the US Billboard 200. In that time, Angelakos dealt with debilitating health issues, including bipolar disorder, depression and alcoholism. He even had to cancel six tour dates to work on his mental health. The pain he endured can be felt in every note he utters on “Gossamer” as he croons his way through every track.

The album opens with “Take a Walk,” an infectiously tragic song about an immigrant working to support his family overseas. It immediately grabs the listener’s attention with its accessibility, both lyrically and musically. While the song on its own is quite strong, it doesn’t seem to quite fit the lyrical themes found in the other songs, creating a disjointed feeling early in the album.

“I’ll Be Alright” blasts apart the speakers and drums, and hard-nosed synths sear through what evolves into probably the catchiest song on the album. The lyrics find Angelakos feeling guilty for holding his partner back, and although you can tell he loves her, he tells her that she can “go if (she) wants to” and that he’ll “be alright,” setting the tone of heartbreak early.

“Carried Away” and “Constant Conversations” follow, and deal with a couple arguing over money and alcoholism, respectively. “Constant Conversations,” my favorite song on the album, yet arguably the most tragic, displays an R&B influence and deals with Angelakos’ alcoholism and his continuing struggle with his fiancé. Here, she is fighting for him to beat his addiction, and he loves her so much for it, yet he sees in himself only destruction and again tells her she’ll have to leave him someday.

The true strength of this album comes from Angelakos’ growth as a songwriter and his unique ability to blend upbeat synthpop with despairing lyrics. While it may not be Passion Pit’s most exceptional work, at times sounding disjointed and sloppily produced, it is by far their most accessible album, and Angelakos’ most refined collection of songs to date. The thing that excites me the most about “Gossamer” is the expansion of the band’s sound and its dense layering, allowing the listener to hear something different with every listen.

8.5/10

 

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Arts & Life Columns Cooking Corner

Cooking Corner: Chocolate Chip Brownies

Katie Mancino

Staff Writer

Chocolate Chip Brownies

These brownies are the perfect treat if you’re looking for something sweet and healthy. At only 64 calories these are completely guiltless, yet still rich and chocolaty thanks to the soymilk and chocolate chips. I sprinkled mini hearts on top of mine just before baking so they cooked right into the top layer! Try experimenting with other flavor extracts like peppermintalmond or even coconut to make different flavors.

Each: 64 calories, 2g fat, 13 carbs, 1g protein

Ingredients

  • 1/2 cup Truvia for Baking
  • 2 Tbsp Land O’ Lakes Light Butter
  • 2 egg whites
  • 2 Tbsp Silk Light Vanilla Soymilk
  • 1 tsp vanilla extract
  • 1/2 tsp baking powder
  • 1/4 tsp salt
  • 1/4 cup cocoa powder
  • 1/4 cup whole wheat flour
  • 3 Tbsp mini chocolate chips

Directions: makes 12 brownies

  1. Heat oven to 350 F and spray brownie pan with nonstick spray.
  2. Beat butter and Truvia together.
  3. Add egg whites, vanilla and soymilk.
  4. Add remaining ingredients, mix until smooth.
  5. Spread into an even layer in the pan, top with sprinkles (small ones work best).
  6. Bake for 15-20 minutes until solid.
  7. Let cool and slice into 12 brownies.
Categories
Arts & Life Columns Rees' Pieces

Rees’ Pieces

Ben Rees
Columnist

Since graduation, we have a new, fresh and generally unemployed senior class walking the halls of the University. Unfortunately, it is time for all these rapidly aging adults to find some sort of occupation. Different jobs demand different qualifications, but all of them require an interview.

For many, interviews are very stressful. You have 30 minutes or less to explain how great you are or, if you’re not great, to lie about yourself. Should you be serious or should you be funny? Do you go Windsor or half-Windsor? Is your skirt too short? Is it too early in the season to wear white? Fear not seniors, in a few short minutes you will know exactly what to do, and more importantly, how to act in a job interview.

First and foremost, dress appropriately. Unfortunately for all of you, Sperry’s are not dress shoes; they are boat shoes. Unless you’re interviewing for Prestige International, this won’t fly. Also, if you own a tuxedo t-shirt, burn it.

Next, you will want to floss your teeth. Nothing screams, “I’m impressive” like a big piece of bacon fat hanging from your teefers.

Do not ask your potential employer: “Where do you summer?” Summer is not a verb. His douche alarm will blare.

When your potential employer asks you to talk about a time you faced adversity, don’t talk about the time you went on a class field trip to the United Nations. Adversity and diversity are two different words–familiarize yourself with them.

Don’t be afraid to be different. Make a little joke here and there and tell them an interesting story about yourself. Standing out can never hurt.

I lied; standing out can hurt. It’s perfectly fine to be different, but it’s not okay to tell creepy stories about your life that you believe are unique. They want to know about when you helped a relative get through something tough, not about how you were breastfed until age 11. Saving Mrs. Wilson’s cat from choking on your little brother’s Lego isn’t a challenging life event either.

If your hero/mentor is Kim Kardashian because of how successful and spunky she is, then you need to lie. It is now your mother because of how successful and spunky she is. See how much better that sounds?

Lastly, a letter of recommendation from your parents or relatives goes about as far as the phrase “I’m only going to have one drink tonight.” It’s nice to hear, but at the end of the day, you only say it to make yourself feel a little bit better.

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Arts & Life

Electronic screens in ELC to promote the arts

Heather Hennigan
Contributing Writer

Many of you may have noticed the new screens on the walls of the Elaine Langone Center (ELC) lobby. What are they, exactly? For those who aren’t quite brave enough to go explore and discover the answer to this question, here it is: they’re interactive kiosks that promote the arts at the University.

There are two kiosks in the ELC lobby–one for the Samek Art Gallery, and another that functions primarily as a part of the “Arts. Everywhere.” Presidential Arts Initiative on campus.

“Two of the primary objectives of the Presidential Arts Initiative are to increase the visibility of the arts at Bucknell and to encourage increased student and campus-wide engagement with arts activities, programs, centers and departments. To that end, a major plan for the first year of the initiative was to enhance campus communication of arts activities, and our new kiosk fulfills this objective,” said University arts coordinator and professor of English Carmen Gillespie.

The Arts kiosk features “The Muse” (bucknell.edu/TheMuse), a weekly compilation of University arts events and related content, as well as an interactive “Arts. Everywhere.” map that highlights all arts centers and locations on campus. The kiosk also includes a section on the “Big Picture,” which displays interesting arts-related media that breaks through the our “Bucknell Bubble.”

Currently, the “Big Picture” feature is a slideshow of images from the Tate Gallery. There is also a “Film Shorts” section on the kiosk, which will allow students to watch videos created by University students and faculty as well as interesting shorts by contemporary artists. Students can also see movie trailers of general release films on the kiosk.

The kiosk also features “The Pulse,” a student poll in which you can vote and see percentage results of student responses. Each week the questions will change and students will have a chance to find out what other students think and feel regarding various topics.

So, go to the kiosk and answer the question on “The Pulse,” which is currently about whether you prefer “The Daily Show” or “The Colbert Report.” I won’t tell you the answer distribution, though–you’ll have to check it out for yourself!

 

Categories
Arts & Life

New Poetry Path connects words with surroundings

Christina Oddo
Assistant Arts & Life Editor

The University’s new Poetry Path connects the environment, as well as time, to the written and spoken word of poetry.

Led by Shara McCallum, director of the Stadler Center for Poetry, the inaugural tour of the Poetry Path took place on the afternoon of Aug. 24, before the start of Lewisburg’s annual downtown Street Fair. Students, faculty and community members gathered below the marquee of the Campus Theatre on Market Street for the first stop of the inaugural tour.

“Poetry asks that we pay attention to what is around us and also allows us to reflect on where we stand in a particular moment in time,” McCallum said. “The poems on the Poetry Path all reflect some aspect of the history and/or the physical setting (natural or man-made) of each site.”

The inaugural tour began and ended downtown, beginning at Bucknell Hall, passing the underground railroad, the post office, the Lewisburg Cemetery, Hufnagle Park, Kidsburg Playground, the intersection of Seventh Street and Moore Avenue, the churches and the Civil War monument.

“The impulse behind the Path, for me, was to make poetry a part of people’s everyday lives and to provide a bridge between the campus community and the Lewisburg community,” McCallum said.

The tour consists of 10 markers, featuring a variety of pieces from renowned artists, like Gary Soto, Bruce Lansky, Dorianne Laux and Naomi Shihab Nye, who will have a poetry reading Sept. 4 at 7 p.m. in the Stadler Center. Each marker represents the connection between the poem and the location, and each poem pays tribute to Lewisburg’s unique and cultural history in this way.

“Poetry is my favorite art form, and I loved how the tour combined it with history and community,” Lauren Feldman ’14 said. “The fact that the sites are both on and off campus, and that students, faculty and Lewisburg residents all attended the tour, gave me a sense of belonging–both within Bucknell and within the town as a whole.”

Participants who take the tour have the opportunity to hear the poets recite their own work. Although the poems are posted at each marker to read, participants with smartphones can access a link online to actually hear a recording of each poem.

“Poems are steeped in an oral tradition and are attentive to fixed or variable patterns of rhythm and rhyme, as well as to the inflections of human speech,” McCallum said. “When you hear a poem aloud, the sonic aspect of the poem is brought to the foreground.”

The Poetry Path tour was part of the “Arts. Everywhere.” festival that took place in downtown Lewisburg and on campus.

“I am so glad I went and would definitely suggest other students to take the tour on their own time! It was wonderful to read about the history of all these important locations on Bucknell’s campus and downtown Lewisburg, and reading relevant poems at every stop really enriches the experience,” Lindsay Allardyce ’14 said.

The Poetry Path is handicapped accessible and is open year-round. Upcoming Poetry Path events can be viewed on the University website, under the Stadler Center for Poetry Poetry Path Events.

 

 

 

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Arts & Life Restaurants Review

Sushihanna brings new flavor to Market Street cuisine

Emily Guillen | The Bucknellian
Shrimp avocado roll from Sushihanna on Market Street.

Emily Guillén
Editor-in-Chief

When the news came this spring that Marco’s Tapas would be closing its doors, many students were upset by the loss of one of their favorite Market Street restaurants.  What they didn’t know was that Sushihanna, a Japanese restaurant specializing in sushi, would be taking the tapas bar’s storefront location.

Located at 432 Market Street, between The Chamberlain Building entrance and The Open Door Framing Gallery, Sushihanna is sure to be a popular lunch hot spot with students this fall.

On my recent lunch trip to the new restaurant, I ordered one of their lunch specials: a tuna roll and a shrimp avocado roll for $9.45.  My friend ordered a simple avocado roll for $3.00.  Each came with a small bowl of sesame cucumber salad.

We both found the amount of food for the price to be typical for downtown.  Even for heavier eaters, prices are still reasonable.  Even the more expensive shrimp tempura roll is only $6.9, and a Hibachi dinner of chicken is $9.95.

Beyond the prices, we were impressed by the food and speed of service.  We were able to walk into the restaurant, order, eat and pay our check in just under an hour, something not frequently found in Lewisburg.

My tuna and shrimp avocado rolls were great.  No longer will I have to drive to Wegmans in Williamsport or State College for a decent roll; I can just walk downtown for a well-crafted roll and avoid the repeated disappointment from the sushi at the Bison.

My friend called her avocado roll “simple, but tasty.”  Not only was she referring to the food itself, but also the presentation.  The clean look of the plates allowed us to focus on nothing but the meal.

All in all, we found Sushihanna to be a nice addition to the restaurants downtown.  It gives us one more cuisine option to add to our current haunts.  It will most likely compete most directly with Pronto!, based on its attraction of lunchtime clientele.

Hours:
Monday – Saturday 11 a.m. to 10 p.m.
Sunday 11:30 a.m. to 9 p.m.