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Arts & Life Review Television

“New Girl” proves herself among famous FOX lineup

 

By Courtney Flagg

Editor-in-Chief

The most anticipated season premiere of the fall was the fan-favorite and Ryan Murphy brainchild “Glee.” To be completely honest, the season premiere didn’t blow me away. Yes, it was cutesy and full of show tunes and Sue Sylvester’s hilarious and politically incorrect one-liners. But the episode had very little substance. It seemed to serve more as a filler and preview of promising things to come than a real great episode. So when Glee ended at 9 p.m. and I was left wanting more, I was pleasantly surprised by Fox’s new series “New Girl.”

The premise is simple: a freshly single Jess (Zooey Deschanel) becomes the new roommate to three bachelors who are not at all competent in dealing with women. The show starts with Jess riding in a taxi in only a trench coat, ready to engage in some surprise sex with her boyfriend, only to find out that he’s been cheating on her. After this traumatic experience, and sick of sleeping on her model friend Cece’s (Hannah Simone) couch, she takes matters into her own hands and moves in with three “guy’s guys,” Schmidt (Max Greenfield), Coach (Damon Wayans Jr.) and Nick (Jake M. Johnson).

I knew this show was a winner when Coach and Nick made Schimdt put money into their communal “Douchebag Jar” after he makes an arrogant and idiotic comment about how “ladies love the Schimdt.” The show also impressed me with its accuracy in portraying both the obvious and subtle intricacies of both male and female behavior. Of course this idea isn’t revolutionary. How many times have we seen TV shows where guy and girl roommates engage in various shenanigans? This show comes with something different. Like its main character, “New Girl” is quirky, funny and quite the breath of fresh air. The pilot showcases the witty writing and the actors’ clever performances, all of which add to the show’s culturally relevant theme of the sexual politics between men and women.

Congratulations, Fox, you’ve made a fan out of me.

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Arts & Life

“Modern Family” was show to beat at Emmys

By Michelle Joline

Writer

This year’s Emmy Awards made for spectacular weekend TV, our favorite stars plastered across our television screens and computers. Jane Lynch hosted, promoting the “Glee” season premiere that aired on Tuesday, Sept. 13. Whether or not you were watching the red carpet broadcast from E! News or ABC, there was certainly a buzz over the hit comedy “Modern Family.” Within the first few minutes of the primetime broadcast, “Modern Family” gained four awards without a break.

Julie Bowen, Claire Dunphy on “Modern Family,” snagged the outstanding supporting actress in a comedy series award and her co-star Ty Burrell (Phil Dunphy) took the male equivalent, beating out three of his fellow male cast members.

A surprise but deserved win was Melissa McCarthy’s award for her character Molly Flynn from “Mike & Molly.” Anyone who enjoyed her performance in 2011’s hit comedy “Bridesmaids” was rooting for her to win for her role as Megan.  Hopefully after the back-to-back success of “Bridesmaids” and “Mike & Molly,” we will get to see more from her as a leading comedienne in Hollywood.

With the end of “Friday Night Lights” there was no better time to have Kyle Chandler recognized for his role as Eric Taylor in the hit series. The expression the series coined, “Clear eyes. Full hearts. Can’t lose,” was never more relevant. The win made a great end to the series after many fans were upset to see it go.

Kate Winslet’s win for outstanding lead actress in a miniseries or a movie in “Mildred Pierce” came as no surprise.

“Mad Men” took the award for best drama and “Modern Family” won best comedy. It only seemed appropriate to have the 2011 Emmy Awards end on the same note it started, applauding the work that goes into making “Modern Family” a huge success. If you have not had the chance to view the series yet, the new season of “Modern Family”  just aired this past Wednesday, Sept. 21 . Next year’s Emmy Awards have a lot to look forward to with new shows like “The New Girl” and “Pan Am.” Luckily, these shows are coming just as the weather is getting colder on campus.

 

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Arts & Life Music Review

Astronautalis teaches life lessons in newest album

By Rob O’Donnell

Writer

The genre of Astronautalis’ fourth album “This Is Our Science” is hard to describe. He’s a rapper, but sings his choruses with a voice as gravelly as Tom Waits. With a blend of acoustic folk, heavy punk bass riffs, hard snare drums, melodic piano and electronic beats, the music  gets inside  your head.  Just like the name suggests, the album has an intellectual theme: science. Songs dedicated to Dmitri Mendeleev, the inventor of the Periodic Table of Elements, and Thomas Jefferson’s scientific work dominate the album.

As an English major, I miss a good amount of the references, but that’s the brilliant part about Astronautalis. He’s singing about obscure intellectual topics, but the songs aren’t really about the science. He makes it personal, connecting those references to his life and the sacrifices of pursuing what he loves. It’s a message that we can all relate to in some way, especially in college when we’re trying to decide what to do with the rest of our lives. In his album, he struggles to make a living and has to be on the road constantly to support himself, but he loves every second of it.

Although he references little-known Greek mythology, the message is clear:  if you’re not living for what you love, you’re turning your life into a prison. Long, winding stories and carefully researched facts drive this straightforward principle home to the listener. In that way, along with his unusual singing voice, he reminds me of the great folk musicians like early Bob Dylan and Woody Guthrie, who perfected the art of ballads.

The music is  powerful and makes the lyrics even more potent and hard-hitting. As his first album with a backing band, the emphasis is more on the melodies than in his previous works. His vocal delivery is fiery and intense, especially on songs like “Holy Water,” but soft and gentle at times like on “Lift The Curse.” The choruses are stirring, usually with incredible drums and pianos mixed with his raspy voice in a catchy melody. This album is much more polished than his others, but still captures his passion and raw emotion.

No matter what kind of music you’re into, I can guarantee you’ll find something to love in this album. As for the genre, just call it whatever you want.

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Arts & Life Books Review

High expectations for Peter Hoeg’s “The Quiet Girl” falls flat

By Carolyn Williams

Staff Writer

Peter Høeg’s “The Quiet Girl” is billed as a new thriller to match the success of his 1992 novel “Smilla’s Sense of Snow.” However, where Smilla was a high caliber bestseller, “The Quiet Girl” has been met with a very mixed reception in Denmark, and the English translation by Nadia Christensen has failed to accrue the enthusiasm of its predecessor.

“The Quiet Girl” stars middle-aged clown Kasper Krone as a protagonist of sorts, whom Høeg gifts with the ability to hear peoples’ essences, making Kasper able to learn countless useful snippets of personal information and intrinsic qualities immediately upon “hearing” their unique sound. This interesting bit of magic realism aside, Kasper is also world-renowned for his illustrious circus career and simultaneously dealing with his father’s terminal illness, as well as being up to his neck in debt, a womanizer, and wanted in multiple countries for fraud. He also moonlights as a children’s therapist, capitalizing on his innate ability to hear into the souls of others, which apparently comes even more naturally with children. This is how he first meets the quiet girl of the title, a 10-year-old nymphet of whom Humbert Humbert would be proud, named KlaraMaria.

For some reason, KlaraMaria’s essential sound is quieter than anyone else Kasper has ever encountered. So when, after disappearing from his life for some time, KlaraMaria returns to Kasper in some definitely suspicious circumstances, he recognizes her immediately. And when she slips him a note which leads him to believe she has been kidnapped and abused, Kasper jumps quickly into action to rescue this precocious and obviously special child. Lying with terrifying ease and jetting around Copenhagen so quickly readers may well become nauseous, Kasper tries to follow KlaraMaria’s maddeningly faint trail, while also dodging police and members of the enigmatic “Department H,” which he has been warned to leave alone. Trying to connect the dots between KlaraMaria, his ex-lover Stina, some children with very questionable abilities and avoid incarceration, Kasper attempts to piece together this mystery and see how everything can possibly fit together.

One of the issues with “The Quiet Girl” is the convoluted plot and sporadic storytelling style employed by Høeg. Honestly, parts of the novel seem more like James Joyce than a modern thriller. Following the path of the characters is definitely a challenge, and reading it in translation may be a contributing factor. Christensen has clearly taken on a challenge in working with “The Quiet Girl,” but without knowing Danish or having a solid understanding of Copenhagen’s layout, the book loses much of its entertainment value. Considering its lukewarm reception at home, Høeg might have confused more than just his foreign readers. After virtually disappearing from the literary world for 10 years and producing several lesser novels, Høeg still fails to match his achievement in “Smilla’s Sense of Snow.” “The Quiet Girl,” though possibly misunderstood, is ultimately disappointing.

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Arts & Life Review Television

Entourage ending is satisfying

By Ryan Costello

Writer

On Sunday we saw Vince and the gang of the popular HBO series “Entourage” fly off into the sunset for the final time. The series finale tied up some loose ends but also created a few new paths for fans to think about, possibly opening the opportunity for a movie.

For those who have never seen “Entourage,” it is a series about the Hollywood life of A-list actor Vince and his entourage: Vince’s manager Eric, Vince’s half-brother Johnny Drama, and C-list actor Turtle, Vince’s driver and entrepreneur.

The guys all grew up together in Queens and are trying to find their way through Hollywood. The other main part of the show centers around Ari Gold, Vince’s agent and friend, and his rise to the top of his industry.  A main theme throughout the entire series is the friendship between the guys: no matter what happens between them, they always have each other’s backs.  The series takes place in Hollywood and is centered around the lifestyle of an A-list actor, so “Entourage” has featured many big stars in cameo roles as themselves.  Among the best appearances were Matt Damon throwing an uproarious temper tantrum and Turtle’s messing with Tom Brady.

The series finale had Vince getting married, Eric getting back together with his ex-fiancée, and Ari also getting back together with his wife who was about to divorce him. Overall, the series finale was a little rushed–everything happened too quickly and too conveniently. This episode lacked any real closure, but that is consistent with what the series has been. It has been mostly about  guys being guys in Hollywood, who that won’t change no matter where they go. The end implies that they are just going to keep on going, doing what they’ve been doing.

The series as a whole has been an inside look at how celebrities live on a day-to-day basis, and the types of problems they deal with. That is what has kept me tuning in to see the show, even in the last few seasons.  I wanted to see how the friendships between the characters change, even as some of the Hollywood elements have died out. After all, the guys seem just like normal guys thrust into the glamour of Hollywood.

While I did not find this episode to be indicative of the entire series, I’m glad the series ended this way. Entourage has been on the decline the past few seasons. I’m still sad to see Vince and the gang fly off into the sunset, but it was about time.

 

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Arts & Life Featured Study Abroad

An immersion in Italy

By Courtney Flagg

Editor-in-Chief

I can take away a lot of things from my time in Italy. I remember sipping espresso at a bar in a forgotten alley behind a magnificent basilica. I remember wandering the rows of fresh produce in the daily markets in Piazza dei Signori and Piazza Erbe in Padova. I remember getting hopelessly lost in the streets of Siena and miraculously making it back to catch the correct train home. My memories are laced with beautiful images of classic Italian architecture, rolling hills and snow-capped Alps. But my most important abroad experience can’t be expressed in a picture or in a simple, but pretty, description.

The Italian town I studied abroad in was not like Rome, or Florence, or Milan, where English is just as common as the national Italian language. In Padova, a small fraction of the population speaks English. Many shopkeepers, restaurant owners and coffee baristas don’t know English at all, so speaking Italian is absolutely imperative in order to function as a regular member of society.

I had been warned before leaving the United States that the program I was to participate in was a real immersion program. But it took nearly my whole five months abroad to completely understand what that meant.

Of course, the first few hours I spent with my host family when I arrived in late January were uncomfortable. It seemed like the Italian I had been studying the past two and a half years had completely escaped me. I couldn’t form coherent sentences and found myself speaking a mixture of Spanish and Italian in my jittery state, leaving my host family very confused and myself completely frustrated.

I spent the first few days in Padova timidly avoiding having to speak Italian at all for fear of making grammar and vocabulary mistakes. I would craft grammatically perfect sentences in my head so that I could whip them out at my host family’s dinner table while eating gnocchi alla romana or melanzane alla parmigiana. I carefully planned my studying of the street graffiti peppered around town so I didn’t have to interact with locals. These habits lasted approximately four days.

After only a few days, I saw a dramatic change in my speaking and understanding abilities of the Italian language. It didn’t happen on purpose, and it wasn’t planned on my part. It just happened. It was like a switch in my brain had turned on. Slowly I found myself thinking in Italian. I no longer had to think about what I wanted to say in order to say it. Words left my mouth confidently, and I was surprised to find out that I was forming coherent sentences with them. I was finally able to understand my hyperactive, fast-talking host sister, who, according to my host mom, Italians couldn’t understand.

When my parents came to visit me in early April, I brought them to meet my host family. I was deep in conversation with my host dad and was addressing my American dad throughout the conversation, asking for his input. Frustrated by my father’s lack of participation I turned to him only to realize I had been speaking Italian the whole time and my American parents had no idea what I was asking them.

I can’t count the number of times I have invented new English expressions because I forgot the corresponding English word. I once told friends from my program that I had to ‘do a brain appointment’ so I wouldn’t forget to ‘do check-in’ on a RyanAir flight. English translation? “I need to remember to check-in online for my flight to Istanbul.”

Yes, I will always remember the crystal blue waters of Capri, crossing the Ponte Vecchio at night, and first laying my eyes on the Coliseum. But what remains engrained in my mind is the way I was able to haggle over the price of a leather jacket, avoid the tourist fee for museums and gossip with my host sisters because of my ability to speak the native language.

It has been said multiple times, by multiple people, in multiple ways, that spending a semester abroad ‘changes’ you. I refused to believe the cliché that so many people affirmed and hopped onto the airplane to Italy last January convinced I would come back the same brazen, sarcastic and jaded girl that left the United States. I proved my stubborn self wrong.

When I arrived back in the United States in June, I couldn’t help but feel a sense of déjà vu. I was having issues communicating with my American mother and father during the 40-minute car ride from JFK airport to my home in Westchester, N.Y. I was frustrated because I couldn’t say what I wanted to. Except the language I was having trouble with wasn’t Italian, it was English.

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Arts & Life Movies Review

Shallow humor makes ‘Bridesmaids’ a success

By Carolyn Williams

Staff Writer

Though “Bridesmaids” packs a serious punch in the humor department, the overall effect of the film, which aspires to the status of the popular “bromance” exemplified by “The Hangover” and “I Love You, Man,” falls somewhat short of expectations.

Saturday Night Live’s Kristin Wiig co-wrote the film and stars as Annie, a 30-something whose life is caught in a tailspin for most of the movie. After losing her bakery and, consequently, her savings, Annie has taken up a job at a low-end jewelry shop where she completely fails to sell couples on the dream of “eternal love” with her jaded attitude and is constantly reminded by her boss that the only reason he hasn’t fired her yet is that her mother is his AA sponsor.

So, naturally, when Annie’s best and oldest friend Lillian (Maya Rudolph) becomes engaged, she feels somewhat left in the dust. As the maid of honor, she struggles to measure up to fellow bridesmaid Helen (Rose Bryne, “Get Him to the Greek”), who is not only poised and a member of Lillian’s new country club, but is also clearly vying to take over as maid of honor. The two first butt heads during the toasts at the engagement party, and things only go downhill from there.

Melissa McCarthy (“Gilmore Girls”), Ellie Kemper (“The Office”) and Wendi McLendon-Covey round out the bridal party. For her first official act as maid of honor, Annie takes the party out to a Brazilian restaurant before their dress fitting only to have the entire party come down with a violent case of food poisoning except, of course, the ever-perfect Helen, who doesn’t like to eat before a fitting.

Meanwhile, Annie’s life continues to fall apart. Kicked out of her apartment and finally fired from her dead-end job, she is forced to move back in with her mother. Her relationship status is even more embarrassing; she’s a third-string booty call for Ted (Jon Hamm, “Mad Men”), whose spoof on his own role as lady-killer Don Draper is, in itself, pretty hilarious. She’s developed a flirty rapport with friendly Irish police officer Rhodes (Chris O’Dowd), but she manages to mess even that up. As Annie reaches her limit, she is forced to finally assess the damage that is her life, and, hopefully, find a way to make it all work out in time for the wedding.

“Bridesmaids” is a definite crowd-pleaser, although it tends to draw certain scenes out uncomfortably longer than necessary. “Despite crass humor and cringe-worthy moments, ‘Bridesmaids’ was an overall enjoyable film; funny and entertaining,” Kate Wilsterman ’14 said.

Though the film does not manage to top the male counterparts it tries to emulate, it is a valiant attempt to drag the proverbial “chick flick” out of its current stagnation.

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Arts & Life Featured

Excitement builds for Chiddy Bang’s visit

By Michelle Joline

Arts & Life Editor

After making their name on the nation’s college campuses, the electro hip-hop duo Chiddy Bang will be debuting its first full-length album,”Breakfast,” and performing on campus for Fall Fest tomorrow. Arts&Life editor, Michelle Joline’12, spoke with Chiddy, who promised a great performance for campus.

Michelle: Do you think you received a good reaction from Bucknell students the last time you visited?

Chiddy: Yeah, I remember that show; I remember driving up and doing the show and it being fun, but that was then. We’ve done so many shows since then that this time around it’s going to be even better … When we do shows, there’s always generally a good, fun experience. I’m definitely excited to come back because I’ve been there before and I just want to intensify and heighten the experience.

Michelle: Have you made any changes to your style on your debut album, “Breakfast”?

Chiddy: We’ve definitely stayed true to our original style. I guess that the only difference is that we have more resources, more access to things that make our music sound much bigger … since the last time we came to Bucknell we’ve been able to get new studios and work with a couple of great producer friends of ours.  There’s just a lot of things that we didn’t really have access to. Being able to use a big studio versus using just a laptop and computer. It enabled us to bring all types of things in like grand piano, guitar, or just like adding different instrumentation.

Michelle: Do you think that you are going to be previewing any of the new songs?

Chiddy: We’ll give a couple previews; we can definitely pull something out of the hat. We’ve sort of kept a lot of it under real wraps because we’ve just been going back and forth with the label and trying to figure out the release date and some other things. But there’s always that time when we’re at the show feeling good and we feel like sharing things with fans that we don’t normally share. Anything goes when that’s the case.

Michelle: Since you are a Philadelphia-based group, what about that city or Pennsylvania in general inspires you as a group?

Chiddy: Philly definitely inspired everything about the group because that’s where we created it, that’s where we started and that’s where I met Noah. Noah’s originally from Philly, I’m originally from Jersey, but it was the creative energy that was around Philly that sort of enabled us to do what we do. Xaph grew up there, that’s where he learned how to play all the instruments. You know that’s where he started working in studios … working in jazz studios. That was when he was, like, 16 years old. That’s sort of what gave him his background, his musical background and that’s when I came to Philly for my freshman year at Drexel. I embraced this whole new world and when Xaph would play me some of his beats I was just amazed at how genre-less they were. Xaph can play damn near every instrument and I think that can be owed to being in Philadelphia, a rich musical city … So, without that there would probably be no Chiddy Bang, definitely.

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Arts & Life Music Review

Thousand Foot Krutch release leaves mixed impressions

By Mislav Forrester

Writer

Thousand Foot Krutch – Live at the Masquerade

Alternative rock

June 7, 2011 / Tooth & Nail

After about 15 years together, Thousand Foot Krutch finally release a live CD/DVD. The setlist, as would be expected from the title, tends to favor songs from their latest album, such as “Welcome to the Masquerade,” “Bring Me To Life,” “E For Extinction,” “Scream,” “Fire It Up” and “Already Home.” “Set It Off” is represented by the closing encore “Puppet”, and “Phenomenon” only contributes the hit “Rawkfist.” “The Art of Breaking” ‘s “Move” and “Absolute” are over by the fifth track, and “The Flame in All Of Us” contributes its title track “What Do We Know?” and “Falls Apart.” The emphasis on the most recent album is understandable, but it seems a shame that “Phenomenon”, a very consistent and high-quality album, is so underrepresented. It would appear that Thousand Foot Krutch is turning its focus away from rap and towards hard rock.

While “Welcome to the Masquerade” is a great studio album, its songs do not seem as engaging in a live setting, for both the band and the audience, as do those from “The Art of Breaking or Phenomenon”. The performance is extremely tight–just about every note is in place (sometimes with the help of pre-recorded tracks)–and while this is not necessarily a bad thing, a little more deviation from the studio versions could have colored the show in a positive way. The camera work could have been more interesting; much greater emphasis is placed on the touring guitarist (not even a permanent band member), while the bassist who presumably sings the back-up vocals is seldom shown up close. The drummer is only represented from one side, so his close-ups quickly become rather monotonous. On the other hand, the light, fire and steam show is quite impressive.

Overall, “Live at the Masquerade” is a pleasant testament to the success of Thousand Foot Krutch, but the rather short set list and emphasis on medium-energy songs leaves a little to be desired in a live DVD. There are also no special features at all, so what you hear (and see) is exactly what you get. Recommended for serious fans, but casual fans may be better suited to the studio albums.

 

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Arts & Life

Bucknell celebrates its part in the invention of beer pong

By Michelle Joline

Arts & Life Editor

If you talk to students–college and high school alike–across the United States, they will know some interpretation of the popular drinking game “beer pong.” There has been debate about the origins of the game, formally known as “throw pong,” but believe it or not, “throw pong” was first played here on our campus at the University’s Delta Upsilon Fraternity.

Due to an unfortunate loss of Ping-Pong paddles, the brothers of the Delta Upsilon fraternity invented “Throw Pong” in the 1970s. The story then tells that a Delta Theta Chi fraternity member visiting from Lehigh University brought the drinking game to his own campus. From that point on, beer pong quickly spread to many campuses and became a staple in modern college life.

The University has had some rather significant contributions to society since its founding in 1846, but beer pong takes the upper hand in terms of fame, popularity and cultural significance.

There are still some people from other schools who would like to attribute the creation of beer pong to their campuses, but these pictures dating from the 1970s prove them wrong.