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Arts & Life Headline

Goo Goo Dolls headline University’s spring concert

By Katie Monigan

Staff Writer

For typical students, the spring concert is a Friday night activity requiring no more planning than making sure their tickets are purchased before they sell out and picking out what to wear.

For the Concert Committee, it’s all about details. The concert is an exercise in coordinated planning, advertisement and physical labor the day of the event, and it all starts when the performers are selected.

The artist selection is actually quite simple. According to Concert Committee co-chair Brenna Deck ’11, the process starts with online surveys distributed through the Message Center. The committee then works with a “middle agent” to see if the top choices are on tour and assesses whether they fit within the budget.

According to Deck, the Goo Goo Dolls have been thrown around as a possible choice for her entire four-year tenure on the committee because of a successful show they played in Sojka Pavilion the spring of 2007. The committee was waiting for the final class to see that performance, the class of 2010, to graduate before having the Goo Goo Dolls return to campus.

As for Mike Posner, “He’s just all over the place right nowjust a strong player in the fun, contemporary, dance-party music scene that Bucknell tends to respond to the most,” Deck said.

Once the performers were selected, the committee was tasked with advertising. For University students, advertising came in the form of a Facebook group, posters and music in the Elaine Langone Center mall to direct students to the box office. To reach the community, advertisement also took place downtown and as far as Penn State with flyers, posters and local radio stations.

The day before the concert, the physical labor started. “We started at two on Thursday afternoon, unloading the truck from the production company, and we finished up at nine,” Mike Christiansen ’13 said. They built the entire stage, which comes on the truck in pieces, and assembled the lighting rigging.

They were back to work at 8 a.m. Friday morning once the Goo Goo Dolls’ equipment arrived and were finished by early afternoon. Then, according to Christiansen, “we took nap breaks in turns.”

“Sometimes we get to watch sound check, which is my personal favorite part. The stage is up, the backdrop is up, the lighting is up and running, the fog machines start and the band or musician comes on and runs through a bunch of material. It’s like a private concert just for us. We get to just sit back and take it in and feel proud of ourselves looking at the massive, very tangible result of all the work we just did,” Deck said.

During the concert, the committee members are responsible for taking tickets, crowd control, line management and just generally helping people safely enjoy the show. They get to watch most of it too.

Once the concert ends, the purpose of their afternoon nap breaks becomes apparent, as they have to break down everything they set up before leaving. This year’s work ended at about 3:30 a.m., which, according to Christiansen, was “early” as they were projected to finish at 5 a.m.

Deck expressed the same positive attitude toward the late-night labor. “We always have plenty of help from student volunteers, so the process moves much more quickly during load-out than it does for load-in,” she said. “We have a fantastic group, and it makes for great committee bonding time. “

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Arts & Life Campus Events Featured Review

Reinterpreted ‘The Bacchae’ performance thrills its audience

By Madison Lane

Layout Editor

Let the bacchanal begin. As audience members filed into Harvey Powers Theater last weekend, they were greeted by the sounds of foreign drums and the sight of a majestic set curtained by long, flowing fabrics. “The Bacchae” was exciting to witness before it even started.

“The Bacchae” is the story of Dionysus, the Greek god of wine and ecstasy, as he returns to his home in Thebes. Dionysus, played by Sam Nelsen ’11, narrated much of the story, telling the audience of his birth and his banishment, followed by everything that happens in the city of Thebes upon his return. The story was originally written by Euripides, but the ensemble of this production used a theatrical production technique called “devising” to stage the entire show and even rewrite some of it to make it more relevant to modern audiences.

“As devisors, our ensemble was committed to ‘writing from the stage,’ that is to say we honored all parts of the collaboration as both artistic and interpretational,” director Anjalee Hutchinson said in her note to the audience. “[The show was] an idea conceived by not one but many–an idea better than anyone could have come up with alone.”

For example, a popular line from the very first monologue, delivered by Dionysus, was “All I have to say to that is ‘Haters gonna hate.’” Obviously, Euripides did not write that line, but its inclusion aided in drawing the audience’s attention and guiding their understanding of the plot, as well as adding humor to an otherwise extensive speech.

Another aspect of traditional ancient Greek theatre that this ensemble chose to reinterpret was the idea of a Greek chorus. In ancient theatre, the chorus was composed of about 12 members, whose purpose was to serve as the voice of the common people, interjecting between scenes of the show. In “The Bacchae,” the “Greek chorus” was literally the voice of the college population, the common people seeing the show. They sang songs (such as a parody of “Grenade” about being respectful audience members) that tied the themes of the show into the lives of everyday students.

“I felt like it was so well done, it was utterly seamless in its presentation of the story, and the fact that it was student-led and student-created was mind-blowing,” Andrew Vogl ’11 said.

At every moment, there was something unexpected going on onstage, from oranges stampeding out from under the projection screen to water being flung into the air as an act of freedom and rebellion.

“It enlightened me to how artistic the department is and peaked my interest in attending more shows,” Olivia Cohen ’14 said.

For nearly two months, the cast and crew of “The Bacchae” put hours upon hours of work and all of their energy into making the show a lively, humorous, engaging work of art, and they went above and beyond this task.

“[Working on this show was] one of the most challenging but absolutely rewarding experiences [I’ve had in Bucknell theater],” stage manager Emma Case ’13 said.

The department is constantly trying to address the campus climate and improve it. This was a show about tolerance and taking the time to understand “them”–the other side, someone who is outside your circle of acquaintances. If the University community should take one message away from this show, it is to strive to find balance in your life and the world around you.

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Arts & Life Books Review

‘Major Pettigrew’s Last Stand’ captures readers

By Carolyn Williams

Staff Writer

Helen Simonson’s first novel, “Major Pettigrew’s Last Stand” captures with perfect aplomb the struggle between reverence for the tried and true and the indefatigable powers of change. Major Ernest Pettigrew (a 68-year-old resident of Edgecombe St. Mary, Sussex) is forced to face this challenge head-on, shaking things up just when he thought that his life had settled into the quiet rhythm of old age.

Major Pettigrew has just received word that his brother has passed away, news which is both personally saddening and a forceful reminder of his own mortality. He is physically rattled by his grief when he happens across the recently widowed Mrs. Ali. Despite the Major’s qualms about sharing his family’s business with a stranger, he finds himself talking to Mrs. Ali, a local shopkeeper and one of the only Muslim women in town. The two discuss their late spouses and their love of Kipling, forming an immediate bond of friendship which quickly develops into something more.

The Major is generally dissatisfied with the direction in which his townand on a more macrocosmic level, the worldis moving. He is a man of principles, and to see them shattered by the local townspeople’s greed his contemporaries’ disrespect for the traditions he continues to live by and his shallow son Roger’s social climbing is a trial even for Major Pettigrew’s stiff upper lip. Mrs. Ali is a woman of immense tact and understanding, which the Major appreciates, but the townsfolk begin to whisper nonetheless.

Meanwhile, the Pettigrew family is in the midst of a serious debate over a pair of rare Churchill guns, passed down to the Major and his late brother by their father. The Major is adamant about maintaining the guns as part of the family’s legacy, but the younger generation is equally invested in selling them for a profit. Caught between tradition and the wishes of the rest of the family, the Major realizes that his son has fallen far short of his well-meant, but somewhat antiquated, expectations, and that his own motivations in wanting the gun might be somewhat questionable as well.

Everything comes to an unpleasant head when the town golf club, white members only, of course, decides to show their cultural acceptance by hosting a woefully tacky and inevitably offensive “Mughal Empire”-themed event. The Major turns heads when he invites Mrs. Ali, for whom he is steadily developing serious romantic inclinations. Things go horribly awry on all counts, and the remainder of the book deals with the fallout from the ill-fated dinner party.

“Major Pettigrew’s Last Stand” is thoroughly enjoyable from beginning to end. Simonson’s smart prose gives her work the feel of a novel of manners to make Jane Austen proud. The Major himself is a perfect construction of tact, intractability and wonderfully sarcastic dry humor. The blossoming romance between the major and Mrs. Ali is artfully done without becoming crude or unbelievable. Simonson’s commentary on societal changes and the challenges of small town thinking is apt, making “Major Pettigrew” a force to be reckoned with.

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Arts & Life Columns Cooking Corner

Cooking Corner: Biscuits

By Emily Fry

Staff Writer

Biscuits

Biscuits are a great recipe to have in your repertoire because they are so versatile. You can make them to go along with dinner, or you can add one tablespoon of sugar to the recipe and serve it with strawberries and whipped cream for a delicious strawberry shortcake. You can add other flavorings to your biscuit batter such as cheddar cheese or craisins and orange zest. Either way, you’re bound to have a delicious treat. Happy Baking!

 

Ingredients:

2 1/2 cups flour

2 1/2 tsp baking powder

1/2 tsp kosher salt

1/2 cup cold unsalted butter, cut into small pieces

3/4 cup milk

1 egg, lightly beaten

For topping, 1 egg beaten with 1 Tbsp milk

 

Directions:

1. Sift together flour, baking powder, salt and, if you choose, the sugar.

2. Cut the butter into the flour mixture using a pastry blender ( if you don’t have one, your fingers will work fine) until the mixture resembles coarse crumbs. Add the milk and egg, and beat until just combined. The batter should still be sticky and lumpy.

3. Place mixture on a lightly floured surface and knead until it comes together and is a smooth dough. Be careful not to over-knead, that can overwork the gluten, leading to tough biscuits.

4. Roll out the dough until it is about 1/2 inch in thickness. Cut out the biscuits using a round cookie cutter (if you don’t have one, the top of a glass works as well).

5. Place biscuits on a baking sheet lined with parchment paper. Brush the tops of the biscuits with the egg mixture.

6. Bake in a 400 F oven for about 10-15 minutes until the tops are golden brown and a toothpick inserted in the center comes out clean.

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Arts & Life

Spring [fashion] has sprung

By Elizabeth Tamkin

Arts & Life Editor

While students on campus associate the onset of spring with the constant flow of over-the-counter Claritin or Zyrtec, the truth is, spring is also a time of blossoming fashions and changing styles. We just escaped (rather, are in the process of escaping) a frigidly cold winter season here in Pennsylvania. What better way to celebrate the changing temperatures than to rework your wardrobe?

This season, fashion is blossoming (much like the struggling flowers we see in the landscaping) with color. Designer brands, like Kate Spade, whose S/S 2011 line offers vibrant yellows, pinks and oranges in its products, welcome the warm weather with dainty color-tipped ballet flats and sky-high wedges to be paired with cropped or flared pants. Let’s not overlook their creative take on colorful satchels and phone cases, because as students, we must keep fashion in our school accessories.

Kate Spade is not the only brand that is showing the world some style. Brands like Madewell and its sister store J.Crew offer colorful floral prints that incorporate spring’s theme of vibrancy. What is more perfect for the University female community than a fabulous J.Crew line? A pair of J Brand bright red skinny jeans that are rolled up at the cuff should compliment your delicate floral-print blouse. This is casual way of wearing color, embraced by the fashion-forward.

If brightly-colored pants are not for you, a knitted turban headband, simple plastic watch or inexpensive retro shades may be a good investment in a small pop of color. The turban, a trend started by Prada in its Spring 2007 collection, has been spotted on well-known style icons such as Kourtney Kardashian and Sarah Jessica Parker. If you don’t see yourself wearing a turban, the colorful watches are great for us Pennsylvania students. They are (semi) waterproof, a novelty during the rainy month of April here in Lewisburg. For the rare days when the rain stops, it is smart to invest in a pair of statement sunnies. Retro shades of various hues are being heavily embraced by designer brands such as Matthew Williamson and Karen Walker, but are also offered by the less-expensive Urban Outfitters and Topshop.

Retro shades are only one element of the currently-booming ’70s chic trend. Your mother’s high-waisted trousers or paisley mid-length skirt from when she was young are finally good for something. Not only do we see the waists of pants rising even further, but the cut of shirts are, too. American Apparel offers a wide range of such trendy tops and blouses that are cut nearly illegally short. This ’70s throwback is yet another reason to invest in some color, as back in the day, they had a little more fun with vibrancy than our generation does today.

Tip: Unsure of what to wear? Try taking a look at what the fashionista bloggers have to say. These online blogs are not only following current trends, but they also offer fantastic ideas to jumpstart your styling of the day. But be aware, these gals (and guys) go the whole nine yards with color.

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Arts & Life Music Review

Adele continues to impress music world

By Michelle Joline

Writer

With the craze for house music and techno on the rise, classic alternative rock and coffeehouse lovers can find some solace in the contemporary sound of Adele. After a hit first album titled “19,” representing the age she wrote the heartbreaking songs, she does not disappoint with her second, “21.” The numbers titling her soulful albums are, if nothing else, deceiving. Her voice is reminiscent of the great jazz singers of the last era, like Ella and Etta, with lyrics that hold the wisdom of women two or three times her age.

Born in the U.K. and following in the footsteps of Amy Winehouse and Lily Allen, Adele graduated from The Brit School and pursued a career in music, immediately becoming a sensation  in Europe. Americans were not disappointed with her musical arrival either, as she sold 352,000 records within the first week of her second album’s release. Perhaps she is satisfying some of the gaps in music that have existed in the past few years, offering listeners a raw voice on top of a catchy melody.

It seemed like everyone had the sound of “Chasing Pavements” stuck in their heads a few years back, but Adele managed to make another quick hit with “Rolling in the Deep,” maintaining a top slot on the Billboard charts for weeks. The heavy bass in her music pulls listeners in and forces them to listen to her lyrics, which typically relate to a past, current and future love. Her lyrics resonate with the majority of the population, particularly those who have found themselves heartbroken. Adele described her music in an interview with Russell Porter as being “heartbroken soul” and the perfect listening for those who have caught the fever.

Adele has said that her love for relationships is not only reserved for the opposite sex, but also food. Her weight has been a controversial topic since the debut of her first album. In an interview with Myplay, Adele spoke out on the subject by saying, “I’m a singer. I never want to be known for anything else. I’d rather weigh a ton and make an amazing album than look like Nicole Richie and do a s*** album. My aim in life is never to be skinny.” She is now making a statement for what is seen as beautiful in Hollywood, being recognized for her amazing talents rather than a small waistline. Adele’s inspiration doesn’t just lie in the confidence behind her lyrics, but also the image she presents to the girls listening.

Hopefully we will be getting a lot more inspiration from Adele over the coming decades. I haven’t been disappointed yet with any of her released songs, as she turns out hit after hit.

 

If you are interested in downloading some of her best songs, here are my top 10 picks:

  1. Rolling In The Deep
  2. Chasing Pavements
  3. Crazy For You
  4. First Love
  5. Make You Feel My Love
  6. Turning Tables
  7. Take It All
  8. Someone Like You
  9. I Found A Boy
  10. My Same

 

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Arts & Life Headline

2011 Asian Gala praises culture

By Jessica Domsky

Contributing Writer

Students for Asian Awareness at Bucknell (SAAB) sponsored the annual Asian Gala in Larison Dining Hall last Saturda. The organization is designed to promote awareness of Asian heritage and act as the voice of the Asian and Asian-American community at the University.

Before the Gala, campus organizations were allowed to reserve tables, and members of BSG, faculty and various Greek organizations collectively comprised the 200 attendees.

SAAB is one of the few cultural organizations on campus that prepares and cooks all of its food from scratch. The students began on Thursday evening and continued into Saturday to prepare 16 Asian dishes for the event.

“I think the food was really well-received,” said Brian Chiu ’11, a member of SAAB who was very involved in preparing the food for the evening. “The lack of leftovers was testament to that.”

Nikujaga (Japanese beef and vegetables), Japchae (Korean noodles) and Num Treap (Cambodian sticky rice) made up the buffet-style dinner and desserts. Several national dishes were served that are rarely served in America, such Hainanse chicken rice from Singapore.

“I hope we inspired people to try more culturally diverse dishes in their diets,” Chiu said. “If a bunch of college kids with little or no cooking background were able to cook it, anyone can.”

While guests enjoyed the delicious flavors and textures of Asian cuisine, student members of SAAB performed for the audience.

“This year there was more cooperation between different cultural clubs than ever before,” said Yinan Yu ’11, former Vice President and member of SAAB. “All the Asian countries were fairly represented in the performances, and there were dances and songs from India, Korea, China and Japan.”

Performances ranged from traditional Mongolian dancing to a Tae Kwon Do demonstration.  Students performed several musical numbers, including a rendition of the Korean song “Nothing Better” by Brown Eyed Soul.

“My favorite part was the cultural fashion show,” Yu said. “I know many international students wore their own traditional costumes all the way from home for the Gala.”

The campus organizations Korean Cultural Association, Japan Society, South Asian Student Association, Burmese Cultural Organization and Chinese Cultural Association all came together to make the Asian Gala a success.

“My favorite part was when my friends or professors came up after the event, or even today, to tell me how much they enjoyed the food and performances,” said Anna Uehara ’12, President of SAAB. “I’m very happy that I was able to make those people’s evening enjoyable, and I am proud of what the group has done as a whole to make the event possible.”

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Arts & Life

Students conduct honors thesis research in psychology

By Katie Monigan

Staff Writer

If, when reading emails from the University’s Message Center Digest, the number of surveys asking for participants gets a little alarming, don’t be too quick to press “delete.” Many student researchers in the psychology department use surveys for data collection. Their projects, which use University students as the majority of their subjects, are not only revealing about our campus community, but also generally valuable to the psychology community at large. Here’s a quick sampling of the many interesting honors thesis research projects currently underway.

One project comes from Kelsey Lisle ’11, whose honors thesis is studying whether having a learning disability affects others’ perceptions. Her participants took a survey which described a person in detail, sometimes specifying the existence of a learning disability. Although her conclusions are not finalized, the data seems to indicate that having a learning disability has a significant negative stigma, with those with disabilities perceived as less successful, less emotionally stable and less attractive. Lisle also found that, contrary to popular belief, women are no more compassionate towards those with disabilities than men are.

Another thesis concerning others’ perceptions comes from Lauren Cotter ’11, who looked at the “halo effect” in hiring situations. In the halo effect, the perception of one characteristic affects the perception of another, or several other, characteristics. Cotter’s survey showed two photos of people of different races with identical résumés and asked participants to rate the hireability, attractiveness and personality of the applicants. She found a significant halo effect for white applicants, meaning white applicants were generally rated higher, despite being identical except in race.

Ally Hopper ’11 is writing her thesis in “female facilitation of sexual assault,” situations when women encourage fellow women to engage in behaviors which put them at risk for assault. She issued a survey with questions about personality, risky behavior with alcohol, self-esteem and female facilitation. This is the first study in female facilitation, so Hopper admits that more research is necessary to make any significant conclusions. What she was able to say was that women definitely facilitate sexual assault and that there is currently a high risk of assault at the University.

Leigh Bryant ’11 chose to focus her thesis on the athletic and performing arts communities, rather than the campus at large. Her project looks at the psychological constructs of perfectionism, body esteem and social support, and their possible relationships to one another among women participating in collegiate sports and the performing arts. She also used a survey technique and found that higher levels of body esteem were significantly correlated with higher ratings of individual sport satisfaction. She also found a positive association between body image and social support in lean athletes, but not in non-lean athletes.

Kelsey Malone ’11 is in the midst of a project exploring the gender differences in emotional responses to different types of “hooking up” behaviors, which vary in familiarity of the partner and intimacy of the hook-up. Although she is not finished her analysis, she has thus far found that men experience more positive emotional responses to coital and non-coital hookups, whether with strangers or with acquaintances. She also found significant differences between the women’s and men’s ideas about their partners’ emotional reactions to hook up behaviors.

Another student exploring hook-up culture on campus is Jen Shukusky ’11, who is researching the impact of opposite sex parent-child attachment on students’ attitudes toward, and engagement in, hook up culture. Her findings were consistent with previous research, finding that 76 percent of students have engaged in a hook up and that poor attachment with opposite-sex parents leads to more risky behavior. Interestingly, she found that University status, or how many years a student has been at the University, is a better indicator of whether they have engaged in a hook up than their relationships with their parents is.

All of these students began their research in the fall and are now in the final stages of their formal write-ups. “I have received so much support and assistance from several different people in different departments of Bucknell, from Michael Weaver in ITEC creating the web-based survey to Professor Flack guiding me through each step of the way. Those of us at Bucknell doing undergraduate research are truly lucky to have such great resources at our disposal,” Malone said.

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Arts & Life

BAP hosts fundraiser

By Sonali Basak

Writer

Bicycles Against Poverty (BAP) is bringing “Bands and Bikes” to campus for its third year this Saturday, April 9 on Smith Quad from 1:00-5:00 p.m. Bands and Bikes is an outdoor event featuring music, food and philanthropy.

“It’s one of those events that brings the campus together,” said Odeke Ekirapa ’12, Vice President of Finance for BAP. “You don’t have to expect anything but a good time–-a calm atmosphere, friends, music, food and cheap bikes. What more can you ask for?”

Known as “It’s a Microworld After All” in its second year, the event has seen great success. Similar to last year, the event will be co-sponsored with the Microfinance Initiative at Bucknell (MIB). Last year’s event raised over $500 through donations and raffles.

This year’s event will also include a beach volleyball competition, a hot dog eating contest, a food relay and a silent used bike auction. Bikes will be auctioned at starting prices between $25 and $200, with values up to $500. T-shirts to tie-dye, Ugandan crafts and various merchandise will be on sale. Lunch and music will be provided for free. Student bands and performers, including Brian Brundage, the Michael Mattei Band and Two Past Midnight, will provide music.

All money raised will be donated towards BAP, which has donated over 290 bikes since its founding in 2008.

“This event is a culmination of our year’s efforts,” BAP President Krissy Brundage ’13 said. “It’s our last big fundraising event before our summer trip to Uganda.”

Some other BAP events include a soccer tournament, sales of BAP shirts and merchandise, a screening of “Invisible Children” this spring and periodic trips to Uganda to deliver the bicycles.

Ben Kellerman ’13, BAP Head of Communications, said the event helps people understand what BAP does.

“Most people don’t understand the impact of these bikes on local communities,” he said. “People living in internationally displaced person camps with no infrastructure are given greater access to education, healthcare, jobs and markets.”

Brundage explained that evaluations of the program in Uganda show the appreciation that bicycle recipients have for the program as well as the impact the bicycles have in Ugandan communities.

“Most incomes go up because of greater access to jobs. Lives have been saved because of greater access to healthcare and hospitals,” Brundage said.

BAP is looking to become a non-profit organization.

“It is unique because most other campuses don’t have a completely student-founded student group that does something of this caliber,” Brundage said.

Brundage hopes that in becoming a non-profit, BAP will expand to other campuses and more villages.

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Arts & Life

Does Family Guy cross the line?

By Laura Crowley

Arts & Life Editor

For those who find humor in the crude and grotesque, Family Guy is a godsend. In its 22-minute episodes, the animated television series confronts controversial cultural topics with humor that is consequently edgy and frequently offensive. As a result, the show’s shocking humor has resulted in harsh protests, lawsuits and periodic cancellations while simultaneously launching the show into immense stardom.

The show makes many daring references to sensitive topics. In “Quagmire’s Dad,” a character named Ida, formerly known as Dan, undergoes a sex change operation that is the object of disgust for protagonists Peter and Lois. In reaction to this episode, the Gay and Lesbian Alliance Against Defamation released a statement noting that the organization “has serious concerns being voiced from members of the community” that “GLAAD’s Entertainment Media Team is addressing these with Fox.”

In “Extra Large Medium,” director McFarline poked fun at Sarah Palin’s mentally challenged son, Trig. In reaction, Bristol Palin, Sarah’s daughter, said “If the writers of a particularly pathetic cartoon show thought they were being clever in mocking my brother and my family yesterday, they failed. All they proved is that they’re heartless jerks.”

Unsurprisingly, Family Guy has caught the attention of organizations that have no patience for stunts that offend. Most notable is the Parents Television Council, who in 2000, 2005 and 2006, listed Family Guy on their list of “worst prime-time shows for family viewing” and labeled the show the “Worst TV Show of the Week” 30 times. In a desperate effort to eliminate the show for good, the PTC has also filed two formal indecency complaints to the United States Federal Communications Commission regarding the show’s crude content.

Family Guy has also been protested and sued on the basis of anti-Semitic, anti-Catholic, anti-LBGT and anti-feminist sentiments, among others, with few successes in court.

The offended reactions of many organizations beg the question as to whether Family Guy goes too far. While these organizations would say the show’s masterminds David Goodman and Seth MacFarlane undoubtedly cross the line, it seems this allegation would be, and has been, denied  on legal bases.

When Carol Burnett filed a $6 million lawsuit on the basis of trademark infringement, Goodman and MacFarlane were as self-assured as ever with the First Amendment on their side. With this, the lawsuit was entirely rejected and no apologies were issued.

In the wake of instances like this, it seems that Goodman and MacFarlane still don’t care about hurting feelings. Now in its 10th season, episodes are as shocking as ever. Goodman warns that the show is “absolutely for teenagers and adults” with its TV-14-DLSV rating but makes no apologies for crude content as he watches his offensive humor attract viewers and fill his wallet.

Even if Family Guy does hurt feelings, it seems that Goodman and MacFarlane offend in the name of indifference rather than in malicious hatred. The producers subject nearly all ethnicities, religions, age groups and genders to harsh ridicule and as a result, do not single out any particular group. With plans for future seasons, you may be offended next.