Categories
Arts & Life Music Review

Blindside misses mark with recent album

By Mislav Forrester

Contributing Writer

Blindside – With Shivering Hearts We Wait

Post-hardcore

June 7, 2011 / INO Records


Four years after their last musical release, Blindside released “With Shivering Hearts We Wait.” Unfortunately, the time doesn’t seem well spent. The band’s most recent album lacks the intensity of both their self-titled album, “Blindside,” and “A Thought Crushed My Mind.” It is missing the  melodiousness of “Silence and About A Burning Fire,” the dark atmosphere and diversity of “The Great Depression” and the focus of the concise but impressive “The Black Rose EP” (released digitally in 2007).

So, what is it exactly? Unfortunately, it is unremarkable, a real letdown coming from a usually unpredictable band. The album opener “There Must Be Something in the Water” starts with a promising riff before moving into very familiar-sounding territory. Would it hurt Blindside to open an album with a fast-paced rocker for once? The song isn’t bad, but it pales in comparison to “The Way You Dance,” the opener from “The Black Rose EP”.

“My Heart Escapes” comes off as diluted and lacking focus. The next track, “Monster on the Radio,” is by far the worst song Blindside has ever recorded, an uncharacteristically bland song that sounds like an attempt to capture the sound (but not the charm) of Switchfoot. “It’s All I Have” provides the first real highlight, a song propelled by some great melodic singing, adding to the sonic palette for which Blindside is known. “Bloodstained Hollywood Ending” suffers a fate similar to “Monster On The Radio,” though to a lesser extent. It sounds as if Blindside is trying to replicate the radio-friendly aspects of Switchfoot and recent Papa Roach.

“Our Love Saves Us” is another uninteresting track that goes absolutely nowhere. Fortunately, it is immediately dwarfed by the only real rocker on the album, “Bring Out Your Dead.” This song revives the old Blindside spirit with intensity and volume. The final track “There Must Be Something in the Wind” drifts around for five minutes or so before breaking into some interesting electronics, foreshadowed by earlier songs such as “[Phatbat 1303],” “Where The Sun Never Dies” and “My Alibi.” The question one might ask is, why have they waited until the last two minutes of the album (except for the promising “Bring Out Your Dead”) to surprise the listener?

“With Shivering Hearts We Wait” is a frustrating and disappointing album from a usually interesting, though occasionally inconsistent, group who has never previously attempted so diligently to sound mainstream. With only 10 tracks at 38 minutes, the album is almost as short as “The Black Rose EP,” but contains significantly less musical substance. The influence that side project Lindforest has had on this album can be only speculative. For casual fans, this album is not to be recommended, as it is definitely the worst album Blindside has released.

 

Highlights: “It’s All I Have,” “Bring Out Your Dead”

 

Categories
Arts & Life Books Review

New take on “Romeo & Juliet” fails to dazzle

By Carolyn Williams

Staff Writer

The title pretty much says it all in Anne Fortier’s “Juliet.” A beach read at best, Fortier’s attempt to reinvent Shakespeare’s star-crossed lovers has moments of real intrigue, but the overall effect is spoiled, unfortunately, by her own over-complicated plot.

The main problem with the novel is the heroine, Julie Jacobs. Fortier sets her up to be a Cinderella type of under-appreciated chorus-girl-turned-star, but it’s hard to get past her awful personality, let alone enjoy her first-person narrative.

Julie Jacobs, she tells us, has spent her entire life stuck in the shadow of her beautiful, smarter, and more popular fraternal twin sister, Janice. The twins were born in Italy, orphaned in their early childhood, and raised by a well-meaning aunt. Counting on inheriting equal shares of said aunt’s considerable estate upon her death, Julie is shocked to hear that Janice has been given the entire estate, and that she has instead been left a ticket to Siena, Italy, and instructions to meet with her late mother’s bank manager, where some fabulous treasure supposedly awaits her.

After whining her way across the Atlantic, Julie, who has recently learned that her name was originally Giulietta Tolomei, bursts onto the scene in Siena. Naturally, she meets a sort of a fairy godmother along the way, who sees to it that she is outfitted in designer clothes and given a total makeover, then sent marching off to the bank to see what her mother has left her from beyond the grave.

In her mother’s vault, Julie discovers a silver crucifix, a large sheaf of old documents, and a battered copy of Romeo and Juliet. The oldest of the documents is the journal of Maestro Ambrogio, a painter in Siena who recorded his encounters with a pair of star-cross’d lovers, namely Giulietta Tolomei and Romeo Marescotti. Julie’s mother, it would seem, had been researching the history of Shakespeare’s play before her death, and had traced it successfully back to Siena in 1340, and its female lead just so happens to share the name of one of her daughters. The treasure, then, is determined to be a pair of priceless sapphires called Juliet’s Eyes, said to be set in the statue of Juliet built by her grave. The only problem is, of course, that nobody knows where Juliet’s grave is.

Meanwhile, of course, the real question remains, where is Julie’s Romeo? Julie herself spends a good deal of time analyzing this mystery, and while she suspects a certain dark stranger on a motorcycle, she is distracted by the brooding Alessandro, who, she suspects, is playing the role of Paris.

Fortunately for her audience, Fortier’s “original”, that is, Maestro Ambrogio’s supposed journal, which for about half of the book runs parallel to the modern plot, is exciting and unique, with enough of a connection to the Shakespeare play to make his plagiarism several centuries later seem plausible, without becoming predictable in the way Julie’s version does. This more entertaining section makes bearable the treasure hunt and search for Romeo, which regrettably become increasingly convoluted as the book progresses. Amusingly for the reader, Janice makes a return in the final act, once again stealing the insufferable Julie’s little-deserved thunder. Fast-paced at times, and at others painfully drawn-out, “Juliet” misses its mark.

 

Categories
Arts & Life

Summer internship opens new doors

By Cameron Simcik

Contributing Writer

I was convinced I’d spend this past summer in New York City, working at the internship position I had so desperately wanted.  I had slaved over the application for three months, made extra connections within the company where possible and had a great interview with one of the executives.  After months of hard work, I felt I could finally relax and look forward to the glamorous summer I was about to have. That is, until I didn’t get the internship.

I was crushed, to say the least. But I needed to do something for the next three months, so I frantically applied to as many internships as I could in all different fields, positions and locations.  Something was bound to happen, or so I’d nervously hoped.  One of the companies was 94.5 WPST radio of Central New Jersey and Philadelphia–the Top 40 station I’d always listened to growing up. I applied for a position after a friend encouraged me to pursue a field I’d always wanted to explore.  So I did on a whim, and three weeks later, I found myself driving to Philadelphia to embark on my new job in radio.

My first day of work consisted of watching Colbie Caillet’s sound check and shaking hands with the lead singer of Lifehouse at the station’s biggest concert event of the year.  I was in heaven, to say the least.  I spent a majority of the following weeks working promotional events for the station in conjunction with local charities, businesses and concerts.

Interning with the station’s “Chris & the Crew” morning show was undoubtedly the highlight of my time spent at WPST.  I actually looked forward to waking up at 4:30 am for work!  Although I was initially out of my comfort zone, the morning DJs quickly integrated me into their studio routine of devising show material, taking callers, working the board and talking on-air. Although the internship was a bit of a whirlwind, I loved every single moment, and I would repeat the experience in a heartbeat.  I not only learned how to function on four hours of sleep, but I also realized that I really, truly love radio.  Everything about it makes me excited and eager to learn as much as I can, and for the first time, I can confidently say I have found what I want to pursue after graduation.  I have never before so clearly pictured myself on a career path, and as a senior, that’s an enormous relief.

At the risk of sounding too preachy, I’ll leave it at this: do yourself a favor and go for it.  Keep an open mind, and fearlessly pursue your passions.  Take a class that’s completely out of your comfort zone and apply for that impossibly competitive job. You never know where your plans will change, but that’s what keeps things interesting.

Categories
Arts & Life

The Guy Behind the Camera: Getting to Know Edward Louie ’13

By Laura Crowley

Arts & Life Editor

If you attend this University, it is likely that Edward Louie ’13 has taken a photograph of you.   Louie, from Portland, Ore. makes an appearance at nearly every major event on campus, but also documents students’ everyday lives.  In an interview with Louie, The Bucknellian discovered more about the man behind the camera.

Q: How did you become interested in photography?

A: I started photography in fifth grade because I wanted to show others what I wanted to tell them about, in addition to telling them about it. At the time I felt as though my words were doing an insufficient job at describing what I wanted to tell, and taking pictures was an excellent solution to the problem.  An interesting fact: back when I was in fifth grade (2001-ish) digital cameras took 3.5″ floppy disks. ‘What’s a floppy disk,’ you say?

Q: Do you hope to pursue photography as a career after graduation?

There [have been] times when I have considered making photography my profession. The reason why I didn’t do it is because I am too scared I will end up being a starving artist. I am very uncomfortable with the idea of having to pay the utilities, the mortgage and let’s not forget the college debt, purely from doing photography. It is a fact that being a professional photographer is among the lowest paying professions. A number of professional photographers have said: ‘The worst reason to become a professional photographer is because you love to take pictures. The stresses you will encounter being a professional will beat your passion to the ground. However, if you’re still keen on taking pictures after that, then you can be a professional photographer.’  As a result, I have no lasting desire to pursue photography as a full time career, and instead, I am pursuing civil engineering as a profession. I can sleep at night knowing that the odds are well in my favor that a career in civil engineering will land me a stable job.

Q: What do you most like to photograph?

A: I don’t have an affinity to any one particular genre of photography. Because I don’t specialize I believe the phrase ‘jack of all trades, master of none’ applies to me.

Q: Do you ever collaborate with other photographers at the University?

A: I have yet to collaborate with other photographers on campus. When I run into other photographers on campus I occasionally talk shop with them, but often times I am focused on the event/action/subject. I am open to helping, advising and mentoring fellow photographers. One issue is the lack of active photographers on campus.

Q: Do you ever get paid to photograph events?

A: I occasionally get paid to photograph events on campus. I am increasingly more firm about charging students and student organizations for event photography. The hourly pay on campus is nowhere near enough to compensate the amount of time and effort it takes to produce high quality images. As a result I try to charge students, clubs and organizations as a freelance photographer. It has consistently been a fact that for every hour of photography I do, there is two hours of post-production to follow. One needs to charge enough for the hour of photography to cover for the hours of post-production. In some cases, time must be spent for pre-production, like getting on scene early enough to have the time to scout out good angles and to have a word with the event manager.

Outside of Bucknell, the pay is much better, and clients are much more understanding of the cost of professional quality images, [since] I guess they’ve shopped around and know what everyone else charges. Inside Bucknell, there is a general expectation that things should be done for free or very close to that. However, I don’t have the time during the academic semester to take on too many requests outside of Bucknell. Students are generally broke, and I don’t blame them.

Q: What camera do you use?

A: “What camera do you use?” is a much more complicated question when it comes to an SLR since you’re not talking about a camera but rather a camera system. I guess you’re asking “what is in your camera system?” or “what’s in your bag?”

I use a Canon 40D the reason why I chose this body is because it was the least expensive body at the time (3 years ago) that had a pentaprism. Cheaper entry level bodies use a pentamirror rather than a pentaprism, pentamirrors produce a dim and tiny image through the viewfinder. To me looking through those are like looking trough a toilet paper roll, yuck!

The lenses I use consist of a 70-200mm f/2.8 IS, 10-22mm f/3.5-4.5 and a 50mm f/1.4. These 3 lenses allow me to handle pretty much every situation short of field sports like football, for that you need a giant super-telephoto lens. The 70-200mm lets me get close and isolate one or two subjects from the rest. The 10-22mm allows me to get everything in and then some and the 50mm allows me to photograph in ultra low light situations when I can’t or don’t want to use a flash.

For flash I use a 580EX II, it is an external flash that mounts into the hotshoe and allows me to bounce the flash off the ceiling and walls. The result is images that don’t look like flash was used at all. I have honestly never ever used the popup flash on my camera and I have taken over 75,000 images with that body. Popup flashes produce nasty looking images I don’t know what they even include them in cameras.

Q: What are your hobbies outside of photography?

A: My other hobbies besides photography include mountain biking, hiking, travel, target archery and the typical college student hobbies of eating, sleeping, being lazy, Facebooking, YouTubing and listening to music.

Q: Why did you choose the University?

A: I started my college search looking for an accredited, undergraduate-focused engineering program with small student-to-teacher ratios. I was surprised at how few there were. Of the ones I applied to, only University of Portland and Bucknell offered financial aid packages that would make it financially reasonable to attend. [By] looking further into Bucknell, I discovered that it was ranked as one of the top universities for undergraduate engineering. Coupling that with an interest to explore the east coast made Bucknell a pretty clear choice.

Categories
Arts & Life

Reflections on the Past: Tracy Lum ’11

Tracy Lum '11 was Editor-in-Chief for the Fall 2010 run.

By Tracy Lum

Former Editor-in-Chief

If you know me, you probably know that I rarely sleep for more than seven hours a night, that I can’t survive a day without drinking at least one cup of coffee and that I have an insatiable (and slightly unexpected) thirst for gossip.

Strange habits aside, joining The Bucknellian on a whim four years ago was probably the best decision I made. To say I was a timid first-year is an understatement. I could barely hold a conversation with a stranger without having an anxiety attack.

My time at The Bucknellian changed that. Reporting gave me confidence; it made me take risks and stand up for causes. It made me explore the campus that initially daunted me. If it didn’t bring me out of my shell, it at least left a substantial crack in it.

I can’t say that I remember the first story I wrote for the paper. Having no previous experience with journalism, I clumsily gathered quotes and facts, piecing together an article that likely lacked focus and elegance. On Friday mornings, I’d pick up the latest issue, scan through my piece and gasp with outrage that the editors dared alter my writing. The following year I became one of those editors.

As the Arts & Entertainment content editor, I learned the basics of journalism. Naturally, I was nervous about joining the newspaper. For the past year, I was in awe of The Bucknellian, mostly because I was ignorant about how it was produced each week. I thought it was untouchable, unchangeable and incredibly demanding. I wasn’t wrong about the demanding part, but I did eventually figure out how to leave my mark on the paper.

After a semester of assigning stories and photos, writing one or two pieces a week and handling writers’ attitudes, I wanted to quit. Managing criticism and minor disasters each week became unbearable. But pride drew me into the paper. Seeing my name in print, knowing that what I wrote would become a part of the University’s history made me stay. I loved crafting narratives and bringing the stories of niche groups to the campus.

I loved it so much that I continued editing, later becoming features editor, associate editor of content and, much to my surprise, editor-in-chief. Pulling near-all-nighters (I’ve never actually gone a night without sleep) became commonplace. Developing a mild caffeine addiction didn’t faze me. Sometimes I’d walk home from Roberts basement at 3 or 4 a.m. after a night of production and hallucinate.

Last semester I organized my schedule so that I’d have my Tuesdays and Thursdays entirely free to field phone calls, answer ad questions, complete board edits, rewrite leads and catch the minute layout errors that would detract from the readers’ overall experience of the paper. The Bucknellian consumed every spare moment of my life. It even invaded my dreams, giving me nightmares about gaping holes in the layout, libelous statements or the nascent online version.

But no matter how much I suffered during the week, the final, freshly printed copy in my hands made up for it. My first week on the job, I reread every page probably 10 times before I sent the finished issue to the printer. That Thursday afternoon I collapsed once I reached my bed, and the same evening a friend burst through my door and handed me the first redesigned issue. It was sheer perfection, even in its imperfection.

After my term was over, I was elated. I probably screamed with joy and high-fived everyone I encountered. Wednesday nights were mine again. I could resume what I thought was my “real” life. As I looked over the last issue, I labored over every detail while sitting in the chief’s office, knowing that at some level I would miss the work. At times I do, and I don’t regret a single moment of my experience.

The Bucknellian has been so much a part of me and my life. It introduced me to some of the most brilliant, creative and hardworking people I will ever know. I will miss dearly my stalwart staff, especially Rob, Sarah and Kristen, who aided me throughout the summer while I planned the redesign and reorganization and who always kept the paper running. More thanks are due to my predecessors, especially Mike, who was a remarkable source of knowledge and advice. Courtney, you brought the news week after week, and you made production nights infinitely more entertaining. I can’t wait to see what you come up with next semester.

Jim, thanks for everything over the years. All that you have taught me I will never forget.

My friends, thank you for putting up with me, even when I conned you into working for the newspaper. John, without you, there would be no redesign. I am eternally grateful for our Thursday morning layout and venting sessions. Andy, thank you for publishing the online edition each week. I’ll miss WordPress filling my inbox with 30 emails.

To the writers and the new crop of staffers, I owe a successful run of the paper to you. I thought the art of print journalism was dying, but you resurrected it and exceeded my expectations in the process. Never again will I doubt the resilience of a college newspaper.

And Bucknellians, if you ever want to gossip over a cup of coffee, you know who to call.

Categories
Arts & Life

Reflections on the Past: Sarah Block ’11

Sarah Block '11 was Associate Editor of Layout (fall 2010) and is currently the News Layout Editor.

By Sarah Block

Former Associate Editor of Layout

Author and journalist Sally Quinn once said, “I can’t imagine life without a newspaper.” Well, neither can I. Thinking back on the past few years, within a few short weeks of graduation, I could not imagine my undergraduate experience without The Bucknellian. One would think that constant sleep deprivation, stress over filling space on the front page and being confined to a windowless room in the basement of Roberts Hall at least one night a week for the past three years would have driven me insane and turned me off from news and journalism in any and all forms.

Instead, all of my experiences working for the newspaper, both good and bad, are what have made my participation in The Bucknellian worthwhile. In fact, my time as a layout editor and on the editorial staff has been a major part of my college experience, and I would not have had it any other way.

Initially, I thought joining The Bucknellian as a layout editor would be a great way to meet people and get involved in something else on campus, and I never imagined the extent to which I would become involved, if not attached, to the publication. While I undoubtedly get a wonderful feeling when I see my work on newsstands around campus and downtown every Friday, being a part of The Bucknellian has been so much more than just layout, design and public recognition.

As I head off to law school next fall, I know that my encounters with controversy, politics and the quest for neutrality while working for the paper will benefit me greatly in my future career. In fact, many of these experiences have further inspired me to study the law. More importantly, though, some of my best friends and many of the people I admire the most have been my fellow editorial staff members. Late nights in the newsroom having boy band sing-alongs, yelling at the uncooperative printer or eating the food acquired on a spontaneous Sheetz run are only some of my fondest memories from the past few years. Getting to know these people has been a highlight of my time at the University, and knowing them has helped me to develop into the person I am today.

The Bucknellian is a family, and being part of it is one of the things I will miss most about college. So, don’t be surprised when you come to visit me next year and find a room in my apartment wallpapered in pages of The Bucknellian. I’m not quite ready to leave it all behind just yet.

Categories
Arts & Life Featured

Reflections on the Past

As commencement rapidly approaches, editors Sarah Block ’11 and Tracy Lum ’11 remember their years at The Bucknellian in the posts below:

Sarah’s reflection
Tracy’s reflection

Categories
Arts & Life

Professor Profile: Timothy Strein

By Katie Monigan

Staff Writer

Timothy Strein is a professor of chemistry, chair of the chemistry department and has been at the University for so many years that his email address is just “Strein.” Although he primarily only teaches two classes, analytical chemistry and a forensic chemistry foundation seminar, he is always up to something.

“There are two types of chemists: those who make things and those who measure things. I measure things,” Strein said.

Specifically, measuring concentrations of certain chemicals in blood and urine using something called capillary electrophoresis. Apparently he’s pretty good at it too, since he just had a paper accepted this week, another a few weeks ago and yet another late last semester which was a collaboration with another chemist at the University of Pittsburgh. To date, he’s published “about 30” papers, he said. He has a lab next door to his office and an entire team of students working with him, both undergraduate and graduate.

When he’s not teaching and working on his research projects, he has additional administrative duties as chair of the chemistry department. His current project is to individually approve every chemistry course that students wish to take over the summer for credit. He also makes sure the department stays within budget and occasionally answers calls from angry parents or makes sure leaky lab sinks get fixed.

All in all, Strein is happy with his position.

“As long as I get the money, which we’ve been pretty lucky with so far, I can research pretty much whatever I want,” he said. Plus he’s friendly and likes to work with people. As both a professor and administrator, that’s exactly what he gets to do every day.

Categories
Arts & Life

A sneak peak of the Bucknell Dance Company’s upcoming performance

By Laura Crowley

Arts & Life Editor

The Bucknell Dance Company (BDC) will present its annual spring dance concert today and tomorrow at 8 p.m. in the Weis Center for the Performing Arts.

The concert will consist of seven pieces performed by students of the BDC. Three of the seven performances were choreographed by students, including Sarah Thalhamer ’11, Katelyn Tsukada ’12 and Melissa Leonard ’12. Each piece runs for five to 10 minutes, and pieces span from “classical ballet through contemporary modern dance,” visiting professor of theater and dance Kristy Kuhn ’00 said.

Thalhamer said her piece is contemporary with basis in ballet technique, but “definitely not classical.” The experience of choreographing her own show was initially challenging since the group is so large, but it “ended up working out really well because I was lucky enough to get a cast of really talented dancers,” she said.

Kuhn said many pieces are choreographed to popular music. Thalhamer’s piece will likely be a crowd-pleaser with its soundtrack of Ben Folds’ “Cologne,” OneRepublic’s “Marchin On,” and part of OneRepublic’s “Waking Up.”

Not all pieces are set to today’s popular soundtracks, however. One piece is set to the music of two classical pianos played by professor of music Lois Svard and Amanda Child ’11.

“[The piece is an] exciting collaboration between the dance program and the music department,” Kuhn said. Seven students will “embody the expressive melodies and intricacies of the classical music,” she said, through steps choreographed by Er-Dong Hu, associate professor of dance and director of dance.

Most dancers in the show are dance minors, Kuhn said. The showcase will represent the culmination of work from rehearsals that began in January, but the inspiration for each of the choreographers’ pieces began well before then.

Tsukada’s piece was inspired by her time spent abroad in Denmark. Others, like Kuhn, have more abstract inspirations.

“[My piece is] derived from the concept of ‘walls’ or the invisible boundaries we build around and within us that ultimately prevent connection,” she said.

Today is also International Dance Day.

“This is a great moment where the dance company gets to be a part of something much bigger,”  Hu said. “The dancers around campus have organized events to celebrate this and promote dance and the arts in the Bucknell community.”

In one such event, students will dance on the uphill Elaine Langone Center lawn at 11:50 a.m. The dance will finish with a group Zumba session in which spectators are encouraged to participate. Students will continue to celebrate International Dance Day on Monday at 1 p.m. when Dance Composition students will present seven site-specific dances around campus and at the bookstore.

Tickets to the BDC showcase will be sold today and tomorrow, and are $8 for the general public and $6 for students and senior citizens. They are available in advance through the box office or in person an hour before each performance.

Categories
Arts & Life Columns Cooking Corner

Cooking Corner: Ice Cream Dessert

By Emily Fry

Staff Writer

 

Ice Cream Dessert

Now that spring has finally arrived in Lewisburg, you’re probably craving a cool treat. This is an easy dessert that has a lot of simple variations since you can mix and match the pudding and the ice cream flavors. My personal favorite is banana cream pudding and vanilla ice cream, but be creative. Happy baking!

 

Ingredients:

2 stacks Ritz crackers, crushed

1 stick margarine, melted

1/2 gallon ice cream

1/2 cup milk

2 boxes instant pudding

 

1. Mix Ritz and margarine, and reserve 1/4 cup for topping.

2. Press into 9 X 13 pan.

3. Mix together milk, pudding and ice cream beating for five minutes at medium speed.

4. Pour over crust.

5. Sprinkle with reserved crumbs.

6. Freeze.

7. Thaw 30 minutes before serving.