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Arts & Life Campus Events Movies Review

Professors Goodale and Andersson help audience understand the life of Elizabeth I

Laura Crowley
Senior Writer

Associate Professor of History James Goodale and Professor of Art History Christiane Andersson presented the Hollywood portrayals of Queen Elizabeth I in Tudor England on Nov. 13 at the Campus Theatre. Goodale discussed the beginning of Elizabeth’s life in “The Other Boleyn Girl” and “Elizabeth” (1998), while Andersson presented the later half of Elizabeth’s life in the mini-series version of “Elizabeth” (2005).

Throughout the event, they showed clips from the period films and analyzed their historical veracity. They also analyzed the accuracy of the plot itself and the ways in which Hollywood used lighting and music to often make the films more dramatic than Elizabeth’s life may have actually been. Goodale pointed out that the lighting used in “Elizabeth” (1998) is especially dark in the beginning of her life to contrast the brightness and purity of when she officially became “The Virgin Queen.”

Both professors helped audience members gain a more holistic and accurate view of Queen Elizabeth’s life story than the movies and series provided by themselves. They particularly noted her use of humor to get her way with Parliament when it continuously urged her to get married. As the head of her country, Elizabeth’s duties led her to be a “rational, coldblooded and deliberate woman and Protestant,” Goodale said. Queen Elizabeth I felt she wouldn’t be able to lead England as well if she were married, and cut her hair like a man to deliberately strip herself of her femininity.

The professors felt the films were fairly accurate. In the mini-series, “Elizabeth” (2005), Andersson pointed out that the producers even reconstructed White Hall from the original blueprint for the film.

They also stressed how, in Tudor England, love was a political entity rather than a romantic one. It seems that gender was also more of a “performative act,” Goodale said. Both Elizabeth and one of her suitors Henry III of France were both known to possess and project qualities of both genders for a number of motives.

The event was part of the Film/Media Series and was open to the community. There is an event every Tuesday at 7:30 p.m. in the Campus Theatre.

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Campus Events News

Ghost hunter spooks campus

Christina Oddo
Arts & Life Editor

On Nov. 6, Rich Robbins, associate dean of the College of Arts and Sciences, spoke of the supernatural, the evidence supporting and dismissing the existence of ghosts and the presence of other related phenomena. He also spoke of ghost hunting. His annual talk, “Ghosts and Hauntings: Decide for Yourself” had been rescheduled due to Hurricane Sandy.

Robbins attended the University of Nevada, Reno, and holds a master’s degree in experimental psychology, as well as a doctorate degree in social psychology. Robbins has had more than 80 professional presentations at academic conferences, and has been published on several occasions.

Robbins is also a certified parapsychologist, has participated in many ghost hunts and has been interviewed by the media regarding his work with supernatural phenomena. 

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Arts & Life Books Columns Review

“The Last Policeman:” the first of three new apocalypse novels

Carolyn Williams
Writer

Ben H. Winter’s latest novel “The Last Policeman” plays with the popular genre of crime fiction and humanity’s inevitable curiosity about the end of the world. In this version, a young detective is faced with mounting apathy as he tries to solve crimes in the months before Earth’s unavoidable collision with a six-kilometer-wide asteroid called Maia.

Henry Palace, age 27, has always wanted to be a detective. He has finally achieved this goal, but now the world around him is falling apart. Last year, scientists announced the discovery of an asteroid that might hit Earth, and a few months ago, they confirmed that Earth has a 100 percent chance of impact, and everyone is going to die. Ever since then, people have started to get a little bit crazy.

Henry works in his hometown of Concord, N.H., which used to be a pretty quiet place. In fact, when Henry’s mother was killed less than 20 years ago, the odds of dying of unnatural causes in Concord were zero. This is no longer the case. Though Henry tells us the Midwest favors shotguns to the head as a means of suicide, Concord is decidedly a “hanger town.” It’s Detective Palace’s job to clean up the messes.

Although most everyone has stopped caring about maintaining law and order, Henry is determined to do the job he as always wanted to, in whatever time he has left. He latches on to the suspicious suicide of Peter Zell in a McDonald’s bathroom, and though everyone assures him this is a cut and dry suicide, Henry remains unconvinced. As he digs deeper into Zell’s background and his quiet existence, he feels more and more affinity for the lonely actuary, becoming increasingly hell-bent on solving this case. Between the case, his hippie sister, her deadbeat husband and his growing attraction to a woman from Peter Zell’s office, Henry certainly does not have time to “go Bucket List” like everyone else.

In the wake of last year’s “Melancholia” and “Seeking a Friend for the End of the World” in movie theaters, one has to wonder: why the sudden spike in popular interest for apocalypse entertainment? Detective Palace is one of those characters who is so fixed in his thirst for justice that it becomes difficult to separate him from the idea of “justice” in the abstract. Usually in this kind of quick-paced, dry-humored police story, we get a tale of previous injustices inflicted or a dead wife to avenge. Instead, we have the level-headed Henry Palace, our guide through a world disturbingly similar to our own, but doomed. So maybe he’s no Dirty Harry, but that’s a story we’ve all heard before anyway. What’s lost in excitement is made up for in believability. Winters has stated that “The Last Policeman” is the first in a planned trilogy, so if nothing else, we haven’t seen the last of Henry Palace.

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Arts & Life Campus Events Review

Sonya Renee Taylor, international artist and activist, joins students and faculty at Uptown

Anna Jones
Writer

On Nov. 2, Uptown held one of its well-known Poetry Slams to show off the work of talented University students, faculty and guest artists.

“A Poetry Slam is a competition between anyone who wants to share a poem they wrote or read … poems are about anything that is on the poet’s mind,” Emilie Ratajczak ’15, assistant manager of Uptown, said.

“The poems are judged on a ten point scale by audience members and a winner is determined,” Steph Wyld ’14, manager of Uptown said.

The Stadler Center for Poetry has hosted six Poetry Slams, led by Jamaal May, a Stadler Fellow, at Uptown in the past year and a half. Each has been well attended. There are several different sections during a poetry slam.

“Each Slam breaks the night up into an Open Mic, Featured Poet and a One-Round Slam that artists sign up for at the beginning of the night with audience judges,” Wyld said.

The Poetry Slams at Uptown are campus-wide events, but students from other schools, such as Susquehanna University, are also invited.

At this particular slam, Sonya Renee Taylor, the founder and current CEO of The Body Is Not An Apology, a movement focused on self-acceptance and body empowerment, was the featured guest. Taylor is herself a poet, so she performed her powerful work along with University and Susquehanna University students.

“My favorite part of the Poetry Slam is being surrounded by such passionate poets,” Ratajczak said.

She also encourages University students to head out to a slam if they get a chance.

“These events are an extremely fun way to break from the usual night scene at Bucknell,” Ratajczak said. “In addition, you get to meet so many great new people at these events at Uptown.”

“My favorite part is seeing performers put their whole heart and soul into a piece and connect to the audience through those common experiences by sharing something so personal,” Wyld said. “Past performers have surprised me with talent I couldn’t have imagined they possess and it’s great to hear them express their work.”

Wyld also recommends that students check out the Poetry Slams.

“They are something that you can’t experience every day. They really are special and will open your eyes to a whole other world of self-expression,” Wyld said. “There is a very welcoming and supportive crowd, so it is a great place for anyone to share their poetry without fear of criticism and for audience members to enjoy a fantastic performance.”

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Arts & Life Campus Events

Kind Campaign promotes apologizing and awareness of bullying among girls

Ally Boni | The Bucknellian
President and Cofounder Lauren Parsekian and Vice President and Cofounder Molly Thompson speak to University students and faculty, as well as local members of the community, about girl bullying.

Laura Crowley
Senior Writer

On Nov. 5, the Kind Campaign came to campus to talk to female students and other members of the larger community about abuse within the “girl world.” President and Co-founder Lauren Parsekian and Vice President and Co-founder Molly Thompson of the non-profit organization presented their cause, showed their documentary “Finding Nice” and facilitated conversation and activities after the film.

The documentary tells the story of how the Pepperdine University graduates set off on a tour around the country to interview both sexes about female bullying. They have now made three nation-wide tours in which they have visited schools to show their documentary and facilitate conversation between girls and women of different ages. The pair was inspired to spread awareness of the topic after they were both victims of bullying in middle and high school.

Ally Boni | The Bucknellian
Audience members had the opportunity to fill out Kind Cards with apologies, personal statements, and honest letters to other peers, family members, or friends.

The movement hopes to spread the sentiment that victims of bullying do not stand alone.  Their website, kindcampaign.com, spreads this sentiment and provides a forum where girls can anonymously share their struggles and seek support. The movement also spreads this message through several Kind Clubs across the nation, as well as a magazine and an online blog.

The most striking part of the night was seeing the “raw emotion of the girls who shared their stories” throughout the documentary, Mikaela Stein ’13 said. Cameron Berry ’13 was similarly surprised to see “the impact of mean girl-on-girl behavior on later stages of life.”

“You’d think that kind of behavior only exists in younger girls who haven’t fully matured, but now it’s obvious it exists in every stage of life, which is disheartening,” Berry said.

Both Stein and Berry believe meanness amongst girls is a problem on our campus. Lexie Leone ’14 and Sarah Remshifski ’14 shared the same sentiments, and said they will take action in their own sorority by “trying to make it more of a sisterhood with less cattiness.”

Thompson and Parsekian were both members of sororities at Pepperdine and felt their experience as Greek members was a positive one.

The campaign acknowledges that while we have all been victims to bullying, we have also been part of the cause. In honor of this, the event concluded by having audience members fill out the three cards in which they told the truth about an instance of bullying they were a part of, apologized for the incident and pledged not to bully or be a bystander to bullying.

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Arts & Life Campus Events Music Review

Schwimmer spooks students and faculty with unique music

 

Courtesy of Lisa Leighton
Rob Schimmer, composer, pianist, and thereminist, creatively performs a unique type of music in the Weis Center for the Performing Arts lobby.

Laura Crowley

Writer

Article on Rob Schwimmer

The composer, pianist and thereminist, Rob Schwimmer, had a visible presence on campus earlier this week. Schwimmer, who has worked with Simon and Garfunkel, Stevie Wonder, Queen Latifah, Willie Nelson and Queen Latifa, brought Halloween spirit to campus by performing his music that Kathryn Maguet, executive director of the Weis Center for Performing Arts, described as “something you would hear in old-school horror movies.”

Rob Schimmer performs for audience in the Weis Center for the Performing Arts lobby.

Schwimmer kicked off his visit on Oct. 30 with a concert in the Weis Center for the Performing Arts lobby. Schwimmer showcased a wide range of his music, spanning from pleasant to unsettling, but never boring. At the concert, which was open to the public, the performer created an intimate and vibrant atmosphere while playing the piano, theremin, Haken Continuum and waterphone. The audience was completely full, and extra seats were provided to accommodate the crowd. 

Schwimmer additionally lectured on Oct. 31 at the Samek Art Gallery when he spoke to professors and students of the physics department about the science behind the many instruments he plays. Schwimmer described exactly how the theremin, an instrument played without direct touch, works by manipulating an electromagnetic field that circles around a metal antenna with the hands.

Also in the Samek Art Gallery was an exhibit on spooky art. The music performance in the art gallery is part of a joint venture between the Weis Center for the Performing Arts and the Samek Art Gallery, called “Dusk to Dusk: Unsettled, Unraveled, Unreal.”

“[The event] is the first of many things we want to do that combine the visual and performing arts,” Richard Rinehart, director of the Samek Art Gallery, said.

Schwimmer’s last performance featured a film screening of “Theremin: An Electronic Odyssey.”

Throughout the first half of this week, Schwimmer visited several classes to explain the science behind various instruments, gave private lessons to music students such as Doug Bogan ’13 and Molly Miller ’14 and visited Lewisburg High School physics classes. Schwimmer’s eerie music set the tone for a festive Halloween.

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Arts & Life Campus Events Review

Vertical Horizon keeps audience dancing and singing to new and old hits

 

Raffi Berberian | The Bucknellian

Kailyn Angelo
Contributing Writer

Whether you came looking for a laid-back good time on a chilly fall night, or you wanted to hear some of your favorite songs from the 90s and early 2000s, the Vertical Horizon concert at Uptown on Oct. 26 pleased many who attended.

“The concert was an extremely worthwhile alternative to those of us not fortunate enough to get Norah Jones tickets, and the smaller venue size of Uptown made the concert all the more memorable,” Drew Yingling ’15 said.

The band’s early hits like “Everything You Want” and “Best I Ever Had” were the obvious highlights of the night. Audience members jumped and swayed along with the music and sang every word so loud that lead singer and guitarist Matt Scannell’s voice became lost in the crowd at times.

“It was awesome!” Nicole Davis ’15 said in immediate response as to what she thought of the performance.

The energy level occasionally faded when the band played songs from its most recent album “Burning the Days,” released in 2009. The same happened when other lesser known songs were played.

Nearer the end, Scannell broke the news that the band would be releasing a new album within the first few months of 2013. They sampled a song that would be on the album and everyone seemed pleased with what they heard because the audience continued to dance.

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Arts & Life Movies Review

“Looper” offers a glimpse into a complex and suspenseful future

Carolyn Williams
Writer

Rian Johnson’s latest movie “Looper” is an unusual take on the classic time travel motif. Dark, and uncomfortably more believable than many others of its predecessors, “Looper” is guaranteed to spark conversation.

In 2044, things are not going so well. Poverty and crime rates are higher than normal, and the general attitude towards life seems bleak, but other than that, this close future is pretty plausible. Our hero, Young Joe (Joseph Gordon-Levitt), reveals that 30 years into his own future, 2074, time travel has been invented, but was immediately outlawed. However, future gangs abuse the illegal transportation system to dispose of their victims. They send back their enemies to pre-designated spots where current hitmen are waiting to shoot them. These hitmen, or “loopers,” are well paid, but the work has a heavy price. Every looper must eventually “close his loop,” or kill his own future self, then try to enjoy the next 30 years, knowing exactly what’s coming for him later on. Young Joe himself is a looper.

So when Young Joe finds himself faced with the prospect of his own murder, he hesitates, creating an opportunity for Old Joe (Bruce Willis) to escape. Next follows the requisite “what happens in my future?” scene, where the pair stare at their past and future selves, but it’s not as silly as in some other films–the antagonism between the pair outweighs Young Joe’s natural curiosity, and Old Joe’s disdain for his former life is palpable.

Young Joe knows that if he doesn’t succeed in closing his loop, he will be killed immediately, but Old Joe comes back with a mission. He reveals that his future wife was killed because of his past, and that if he is able to kill the unknown person responsible now, while that person is a child, he’ll stop it all from happening and return to the future and his wife. Young Joe gets in his way, though. Along the way, Young Joe meets a young mother named Sara (Emily Blunt), and learns that her child is part of Old Joe’s hit list. As Young Joe attempts to piece together the best plan of action, the current crime ring starts looking for him as a fugitive, and all of this comes to a dramatic and unexpected head with the film’s ending.

It’s evident immediately that “Looper” is trying to emulate science fiction cult movies like “The Matrix.” Johnson and Gordon-Levitt have worked together before, in “Brick,” but this has none of its predecessor’s film noir style. This is all Hollywood, from the big fight sequences and explosions to Gordon-Levitt’s prosthetic face makeup so that he and Willis look remotely alike. The supporting cast is very solid, with a corrupt Jeff Daniels and a small part for Paul Dano, but overall, the film doesn’t quite deliver. Critics and fans’ opinions were mixed.

“‘Looper’ is a gritty, cold, suspenseful thriller that isn’t for the faint of heart. If ‘Looper’ offers a peak into the future, I think I’ll keep my eyes shut,” moviegoer Mike Williams said.

The film is definitely unusual and gets its audience thinking, but if one thinks about it too much, “Looper” might have a few loopholes too many.

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Arts & Life Campus Events Review

Dr. Counihan discusses gender and food activism

Anna Jones
Writer

On Oct. 25, Dr. Carole Counihan spoke to more than 50 students and faculty in the Willard Smith Library. Her message to the audience was that “food touches everything.” Food is the central item that connects everyone in all different parts of the world, making it something that should be enjoyed as well as protected. She explained that the way to do this is through “food activism,” advancing social and economic justice through food practices, and creating healthy, fair labor conditions as well as fair prices for consumers.

The leading front in food activism today is an organization called Slow Food. It focuses on getting people to slow down and enjoy their food, to make food healthier and to make food practices fairer for everyone involved.

As Counihan discussed Slow Food, her focus shifted to gender in food activism. She pointed out that there are more women working behind the scenes in food activism, yet more men take much of the credit. For example, while at a Slow Food conference, almost the entire board was made up of men, despite the fact that women do most of the actual work.

Although Slow Food has succeeded largely in Italy, with many schools having their own gardens to grow fruits and vegetables, it still faces opposition in other places. Counihan noted that taste versus price is a big issue. If people commit to wanting better tasting food, she said, they’d be willing to pay a little extra. The taste of food is meaningful and emotional, so it’s extremely important to the eating experience.

To conclude her talk, Counihan said that being “honest about your food” is the most important thing in food activism. As long as people are honest about where everything is coming from, food will be better made and people will be able to sit down and enjoy it more.

“This was a topic I’d never considered before, and I believe that more attention should be paid to the Slow Food industry in the United States,” Morgan Houchins ’16 said.

“Everything Dr. Counihan said was relatable to all people on our campus,” Sarah Antonacci ’16 said. “The lengths that some people take to obtain their food and get to know their food are incredible and respectable.”

Counihan is a food anthropologist and professor emeritus at Millersville University. She’s authored several books such as “Around the Tuscan Table: Food, Family, and Gender in Twentieth Century Florence” and “The Anthropology of Food and Body: Gender, Meaning, and Power.” She is editor of “Food in the USA: A Reader” and, with Penny Van Esterik, “Food and Culture: A Reader.” She’s also editor-in-chief of the journal “Food and Foodways.”

Counihan studied abroad in Italy directly following college and became fascinated with the differences between Italian and American food consumption. She returned to Italy many years later to intensely study these differences.

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Arts & Life Campus Events Columns Featured Music

Arts & Life Editor Christina Oddo ’14 sat down with Matthew Scannell, lead vocalist and guitarist for Vertical Horizon, before the concert on Oct. 26 at Uptown.

Arts & Life Editor Christina Oddo ’14 sat down with Matthew Scannell, lead vocalist and guitarist for Vertical Horizon, before the concert on Oct. 26 at Uptown.

How did you write the song “Everything You Want?”

“I was living in NYC and money was really, really tight, so it was like a time bomb ticking; when is this all going to crash and burn? One night at around 3:30 in the morning, I was asleep, but I heard this mantra. I thought, wow that’s really cool, I like that. I said I really should, being a ‘song writer,’ get up right now and write this down. But I thought, well it’s so good that I will easily remember it in the morning. I don’t have to get up now. And that never ever happens. You never ever remember anything in the morning. I roll over and I go back to sleep, like you do when you get a great idea. About an hour later, I heard the chords. I thought, I really should get up and write this, but I’m really tired. I’ll remember it in the morning. Then at about 5 o’clock in the morning, I heard the music, the mantra and the chorus all at once, and the lyric was there; everything was there. I said I have to get up now. I thought, this is cool. This is a good song and I need to get up and actually write it down. And it came out very quickly. Sometimes they’re easy like that, or really hard, like ‘Best I Ever Had.’ ‘Best I Ever Had,’ I probably worked on for about six months–coming back to it and going away from it. I knew it was a melody that felt right, but I didn’t know how to get there. And I was experimenting with it in third person. Ben Gross, who was working with us on the record, suggested that I use first person. And he was absolutely right. Instantly the song just came together, and created itself after that I guess.”

How do you prepare for a show?

“Unfortunately, I’m not a natural singer so I have to work at it, and I hate that. I have to rehearse and I have to do warm-up exercises. I take vocal lessons from a vocal coach in LA, and I keep the vocal lessons on my phone. I run down a vocal lesson before I go onstage, so usually about 25 minutes before we go on stage I’m singing and making all kinds of awful noises in the dressing room. And I definitely won’t let you record that!”

What is your favorite part of performing live?

“I love the interaction. I love it when people sing with us. I think that’s the biggest honor. I love the intimacy of that–even when it’s a big group of people. It feels like we’re unified. And the fact that it’s my music is a complete honor; that never fails to amaze me. I love that.”

What is your main inspiration for your music?

“Generally speaking, my experiences inspire me. They are things that I’ve gone through. Every once in a while I’ll write about something I imagine happens out there in the world, more of a story-style song. But most of my songs are first-person experiences, things that have happened to me, whether they are good experiences or bad experiences. They’re all the more real, and the lyrics feel all the more real, because they are things that have been lived. I am able to put a little bit more of my heart into it.”

What was your favorite album to create?

“‘Everything You Want’ was certainly one of the most important for us to create. It was the one that really raised the profile of the band, and made people around the world aware of our music. The latest record we are working on now, which will be out hopefully in the first quarter of 2013, is to me the most enjoyable thing we have ever done. It is the most laid back, the most natural we have felt in the studio. I think we are really comfortable with where we stand as a band. We are not forcing anything; we’re just letting it be. But at the same time, musically, we are reaching new places that are stylistically getting into some fresh territory for us: a little bit more influence from electronic music, dance music and a little more up tempo. Sometimes we tend to be in the mid-tempo songs. And I love quicker songs that really propel you, so this record has been a real thrill for me.”

What’s going to happen after this album comes out?

“We will certainly tour behind this record, and that probably means internationally as well. I know we are going to Asia in January, and maybe we will be able to play some of those new songs then. We will see how far we can take this record. I just plan for us to be able to keep doing this for as long as we can. In the music business it’s easy to make a plan and then realize, oh crap, we need to change the plan. I think for me, we agree to keep the goals very simple; the goal is to continue to play for our fans, and continue to be grateful because ultimately it’s the fans who enable us to play music, and it’s the only thing I’ve ever wanted to do in my life. It’s a please-and-thank-you kind of thing continuously for us. I am getting more into working with other artists as well. I hope to over time become a producer. That’s a really fun thing for me to do. And it doesn’t necessitate me being on a tour bus or in a bunk somewhere. I can be in my own bed.”

What artist would you want to work with in the future?

“The artists I want to work with are probably artists I haven’t heard of yet–that sense of wonder at hearing something brand new and exciting. I’m on a huge Elbow kick. I love that band. I just got the new Miike Snow record. I think that’s very interesting. I love working with women, too, because I am so used to the things I do as a man, that it is really refreshing to hear a woman’s voice. I’ve done it in the past a little bit, but it would be nice to find someone fresh and exciting and see what we could do.”