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Arts & Life Books Review

“A Visit from the Goon Squad”; irresistibly modern and sarcastic

Carolyn Williams

Writer

Jennifer Egan’s fifth book, “A Visit from the Goon Squad,” has been met with overwhelmingly popular and critical approval, earning it last year’s Pulitzer Prize for Fiction. Whether or not to call this work a novel or a collection of interrelated short stories is still up for debate among critics, but regardless of how she does it, Egan’s work here is engaging from start to finish.

Set largely in New York City, but also in a few different spots (California and Italy, to name a few), Egan relates a story of time and life set to the background of the music industry. Time is the eponymous “goon squad” as it shifts back and forth fluidly throughout the work, and it’s the story’s main impetus. Egan has said in interviews that her inspiration for the story was drawn from “The Sopranos” and Proust’s “In Search of Lost Time,” a bizarre combination that, weirdly enough, an informed reader can’t help but buy.

Summarizing is definitely difficult, as the 13 chapters can be read as individual works, set over 40 or so years. Characters move in and out of the work, sometimes playing leads, and other times unassuming supporting roles. Narrative privilege shifts, as does the style of writing. This is not a minimal change–we’re talking about first to second-person switches, a chapter communicated via PowerPoint slides and text-speak as a legitimate form of literature, perhaps suggesting this format as the new doublespeak (this particular chapter is set in an Orwellian New York future, after all).

We begin with the 30-something kleptomaniac Sasha who goes on a date with Alex. Alex later works for Bennie, who conveniently was  Sasha’s former boss. Bennie himself was a shoddy bassist before getting into the music business and used to be married to Stephanie who works in PR. The connections go on and on. These are evolving and living characters, told sympathetically, but not to the point of sweetness; they’re trying, and sometimes failing, but that’s pretty typical, and Egan lets us choose whether or not they deserve the blame for their often laughably unexpected situations.

Egan’s greatest strength in “A Visit from the Goon Squad” is her ability to inject her delightfully barbed humor into her description and dialogue without seeming to try too hard. It’s sarcastic and modern, and, though it perhaps gets a little derailed towards the end, it keeps those pages irresistibly turning.

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Arts & Life Campus Events

Shakespeare (abridged) will leave audience laughing

Molly Ford

A group of University students will perform the complete works of William Shakepeare in an unpredictable and hilarious single two-act and one hour-long production. “The Complete Works of William Shakespeare (abridged),” directed by Adam Wennick ’13, will be this weekend, Sept. 22 and 23 at 8 p.m. This student-run performance is modeled after the work of a three-man comedy group, The Reduced Shakespeare Company.

Wennick, along with 10 actors, a lighting designer, stage manager, two assistant stage managers, a props master and a lighting operator will take on the lofty challenge of putting a modern spin on Shakespeare’s classic works by combining Shakespearean and contemporary language and themes.

After a witty introduction, the actors portray the beloved “Romeo and Juliet” and immediately follow up with the less successful “Titus Andronicus” in the form of a cooking show. Wennick did not want to give too much away when asked about the performance.

“We lovingly parody all of [Shakespeare’s] works,” Wennick said. “I have been picking apart the script and loving it for the past year.”

Wennick’s inspiration came from taking Assistant Professor of Theatre and Dance Anjalee Hutchinson’s directing class. After the Theatre and Dance department decided to do the mainstage of “Macbeth,” Wennick thought it would be a good idea to do a whole Shakespeare season.

“I had trouble deciding exactly which show I wanted to do, so I thought, why not do them all?” Wennick said.

Wennick wants the audience to laugh harder than they ever have at a University performance. He is most excited for the second act and the audience’s reactions.

Tickets are $5 and can be purchased at the box office.

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Arts & Life Columns Cooking Corner

Cooking Corner: Pasta with Homemade Spicy Eggplant Tomato Sauce

 

Katie Mancino | The Bucknellian

Katie Mancino
Staff Writer 

15-Minute Meal: Pasta With Homemade Spicy Eggplant Tomato Sauce

This is quickly becoming one of my top five favorite dishes. It’s delicious, easy to make and uses stuff I always like to keep on hand. You can make it as spicy as you want based on how many pepper seeds you throw in. If you don’t have tomatoes around you can use canned diced tomato (1/2 cup canned= 1 fresh tomato). If you want more protein, add in a can of cannellini beans when you add the tomatoes.

Ingredients

  • 8 oz (4 servings) Rozoni Smart Taste Pasta
  • 1 cup chopped red onions
  • 1 cup chopped green peppers (save about 1/2 the seeds)
  • 4 cloves garlic, chopped
  • 1 tsp. dried oregano
  • 1 Tbsp. chopped fresh basil
  • 4 vine ripe tomatoes
  • 5 cups cubed eggplant (about 1 medium-sized eggplant)
  • 1 Tbsp. olive oil

Directions

  1. Put a pot on the stove to boil water for the pasta.
  2. In a medium pan over medium-high heat, cook onions, peppers and 1 tsp. olive oil for two minutes.
  3. Add tomatoes and 1 tsp. olive oil and cook for three minutes.
  4. Add eggplant and last tsp. of olive oil, reduce heat to medium and let cook until the eggplant is soft (5-8 minutes).
  5. While tomato sauce cooks, toss in pasta and drain when finished.
  6. Top each serving of pasta with 1/4 of the tomato sauce.

Makes 4 servings
274 calories, 4g fat, 57 carbs, 8g protein

My website: piecesinprogress.tumblr.com

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Arts & Life Columns

Trend Report: Shine On

Trend Report: Shine On

By Kate Jansen

Eccentric patterns have certainly been on the rise this season. One popular look that has appeared in a myriad of department stores is of the sequined, shiny and studded variety. This week, I have composed a list of all of the shimmery closet essentials for this fall.

The top: This season, look for blouses with studded shoulder embellishments and full-sequined tanks. What I like most about these tops is that they are incredibly versatile; they can be dressed down for class or dressed up for more formal occasions. When paired with dark-wash skinny jeans or leggings, sequin-embellished jackets and sweaters–much like Michael Jackson’s circa 1984–can definitely make an elegant fashion statement.

The dress: Glittery mini dresses are back again this fall. My closet at home can attest to my obsession with sequined dresses, many bought for winter formals. Suede shoes­ (neutral or black depending on the sequins’ undertones) pair beautifully with embellished dresses and skirts.

The bottoms: Metallic-coated denim and faux-leather leggings have also flourished into a fad this season. These pants look great with any baggy waffle tee or sheer blouse, which is particularly the reason why they should be a staple in everyone’s fall wardrobe.

The accessories: Art deco accessories add certain vintage flare to any ensemble. My favorite place to shop for bangles and chain necklaces is Urban Outfitters, mostly because their accessories are chic and relatively inexpensive. Faux-gem studs have also been in high demand this fall. I am also a fan of the oversized analog watch. I love how this simple accessory can make any ensemble appear collegiate. Marc by Marc Jacobs and Fossil offer a variety of wristwatches in gold, platinum and leather.

The shoes: Leather, metallic and studded ballet flats also add a unique twist to an outfit. There are many opportunities to wear these shoes. For a casual look, pair studded flats with black leggings and a chunky neutral sweater. On your next shopping trip, watch out for golden-toed flats. If a venture to the mall is not in the near future, check out Piperlime and Zappos online. They have a fabulous selection of flats and ankle boots for this fall and winter.

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Arts & Life Rees' Pieces

Rees’ Pieces: Pets and their Owners

Ben Rees
Writer

Animals are not people. They do have rights, and no animal should be treated poorly; however, these rights are animal rights, not people rights. If I cannot pee on 6th Street without getting a ticket, animals should not be able to sit at the table. I know there is no rule that says dogs must abide by an established canine code of conduct, and luckily, most people who own pets are wholly reasonable and keep their dog’s food in the dog bowl instead of in bone china (go figure). This being said, some strange people interact with their animals in a very creepy and inappropriate manner.

I wasn’t joking earlier; I know people whose dogs sit at the dinner table with them. Because dogs physically can’t sit at the table, and under my chair is ever so lonely, they go above and beyond their call of duty as owners and actually sit their dogs on the table. This isn’t right. I don’t care how many times cleaner a dog’s mouth is than a human’s, if I bathed by licking myself, I don’t think I would be allowed anywhere near the house, much less on the dinner table. When I asked this eccentric couple why their beloved Jeremy sat on the table (note the creepy human name), they told me it was too cold for him on the floor. Now, I’m no evolutionary biologist, nor a veterinarian, but I can bet that the reason animals have fur is because it keeps them warm, especially when they sit on the floor.

In addition, as much as I enjoy providing a pooch with a good ear rub, I just plain don’t like when animals follow me around. When I walk out of my bedroom at eight in the morning, I don’t want there to be a furry bridge troll at my doorway who won’t let me through until I throw a ball down the hall.

Pets are not children, nor will they ever be a suitable indicator for whether a couple is capable of having an baby. They are not the same thing, and just because you can walk a dog every day doesn’t mean you can push a stroller full of Furbees while you breast-feed.

The moral of this column is as follows: people who treat their animals like people are exceedingly creepy. Having a conversation with your dog doesn’t stimulate its intellectual capacities, especially when it’s scooting around on the living room rug. The only thing worse than talking to your dog is talking to your cat. At least your dog is staring at you while you talk; cats are essentially Slinkies with fur. Talking to your cat is only a half step up from talking to yourself, and we all know where you end up after years of doing that.

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Arts & Life

Happy Happy Song and Dance Show dazzles Lewisburg’s children

 

Madison Lane | The Bucknellian

Local song-artist Billy Kelly and the Blahblahblahs, accompanied by six Bucknell Dance Company members, performed in “The Happy Happy Song and Dance Show,” a children’s performance. This debut event occurred Sept. 10 at 3 p.m. The performance included 10 dance pieces, one of which was performed by children from the local area.

“I thought the kids were really into it and they got everyone, even Bucknell students and parents, to dance with them,” Kelsey Fletcher ’14 said.

“I went to the show to support my friends and the dance program and I ended up having just as much fun as the kids! It was very funny and entertaining, and I had a great time,” Jackie D’Aquila ’14 said.

Tickets were $10 for adults and $5 for children, with a $15 family rate.

Madison Lane | The Bucknellian
Melissa Dunne ’15 gets hoisted in the air by her fellow dancers. The performance included nine dance pieces by students.
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Arts & Life Rees' Pieces

Rees’ Pieces: May You Have a Short and Low Budget Life

Ben Rees
Writer

I was seriously disturbed after seeing the somewhat recent movie “Chernobyl Diaries,” or rather, the trailer (I’m sure you don’t walk away with much more after seeing the whole thing). It wasn’t the mutated goblin-people that got to me, nor was it the blood and gore. Instead, what truly scared me was the realization that people have a strange fixation, no, obsession with death. This morose obsession does not revolve around the consistent, inescapable encroachment of death; rather, it is fueled by our sick desire to not only see, but also comprehend all of the horrendous ways a human body can be destroyed. The simple Braveheart-esque sword plunge has lost its entertainment factor and now is being replaced by things like putting someone’s limbs in an automatic pencil sharpener, fueled by an electric current from a 1987 Honda battery into his unsuspecting nipples.

According to Spike TV’s last chance at any sort of ratings, there are “1000 Ways to Die.”  Why do we need to know all the obscure ways that our heads can possibly be smashed? It’s because we are constantly undergoing a kind of desensitization. Remember “ER?” The show ran from 1994-2009, making it a program that effectively spanned the equivalent of a millennium in the special effects galaxy. Even when blood looked like nothing more than barbeque sauce, in the early 90s, people grimaced and cringed. Even a few years ago, during the Mel Gibson “sugar-tits” era, “The Passion of the Christ” was thought to be the most graphic thing on the big screen. Since then, we have greatly surpassed anything that was thought up by “Mad Max.”

What happened? Why do we need to see horrible things happen to unsuspecting, innocent people? In these movies, the person who usually gets caught in a paper shredder isn’t even a bad individual. We’ve moved passed karma and have become fans of indiscriminate robo-shark attacks.

I’ll tell you what happened. We are bored. As people, we’ve become so accustomed to immediate gratification that we no longer care about what happens between the start of the movie and when the characters are killed off. We’ve written off all engagement in plot, and all we want to see is when the mutant bats eat someone’s eyes out. The best proof of this transformation I can give is this: when any group of people get together to watch the Oscars, absolutely nobody there has seen even half of the nominated films. I don’t just mean the obscure silent ones from New Guinea, but even the pictures that have a good deal of cinematic quality were unseen, which apparently nobody wanted to because it was over two hours long and didn’t show Channing Tatum’s testicles in 3D.

I don’t mean to accuse these low budget films of being total wastes of space and time, but please do yourselves and the greater American populace a favor: one time this year, just once, go and see a quality movie with a deep plot line. You’ll feel good about yourself and maybe, just maybe, you’ll enjoy a movie without a disemboweling scene.