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Opinion

The drinking culture on campus is moving in the wrong direction

Riley Schwengel

Staff Writer

As this year’s House Party Weekend approached, I predicted that we would see another slew of hospitalizations due to excessive drinking. Come Sunday, I was not disappointed.  Once again, House Party saw numerous individuals get sent to the hospital because they had too much to drink. The emergency personnel were so busy on the Friday of House Party that I witnessed a group of police and kids wait almost an hour for an ambulance to come for one of the students. That’s purely insane. Luckily this individual was barely over the limit for hospitalization and was not in any immediate danger, but if it had been an emergency and had that person been in real trouble, there could have been a serious problem.

While the sheer number of hospitalizations was shocking to me, what really irked me were other people’s reactions when they heard about the individuals sent to the emergency room. When the number of hospitalized students was mentioned, I often heard, “Well it sounds like this year’s House Party was a success!” in response. 

What? I’m sorry, but that does not sound like a success to me. I don’t see how a person ending his or her night with doctors and nurses instead of friends can be seen as reasonable. I think our overall mentality about drinking and partying is heading into a very dangerous and reckless direction, and I worry that if we don’t reevaluate our priorities, we will see more hospitalizations in the future–or worse.

Now I want to be clear: I am not against the drinking culture in general. I acknowledge drinking and partying responsibly and think that they are one of many reasons why college is such an extraordinary experience. I don’t think that we need to make any changes in school policy or even in legislation (though a lower drinking age would be nice). I do think that we need to make some serious changes to our mentality about drinking.

Right now, it seems like drinking is perceived as a competition or challenge, one in which whoever gets the highest score wins. But that’s not how it should be. Drinking is a social event, one that’s not meant to be competitive or aggressive. It should be the individual’s choice about how much to drink, whether to play drinking games, have only a couple drinks or not drink at all. I don’t think students today realize this. There is an extreme sense of peer pressure that forces people to drink in extreme amounts and endanger themselves in order to live up to their peers’ expectations.

Students’ attitudes about drinking have become more and more aggressive in the past couple decades. It has turned from a popular social event to a dangerous competition where even the so-called “winners” can end up in the hospital. I think it’s time we reevaluate how we spend our weekends. Drinking is not some evil vice. It has, in fact, been a staple of the American college lifestyle almost as long as America has had colleges. It is the students who have become reckless and must become more conscious of the risks we are taking when we partake in such activities.

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Opinion

Inherent differences between genders should be recognized

Justin Marinelli

Senior Writer

It’s rather trendy nowadays to claim that all differences between males and females are the result of societal pressures, and that biology has no role whatsoever. I have always been suspicious of this view, as I am of any claim that sounds overly simplistic. Data from the biological sciences suggest that the difference between males and females isn’t just limited to genitalia, but also to nervous and endocrine function, as well as the extent of possible expressible phenotypes once grown.

In no way do I seek to alienate those who don’t identify with the male-female dichotomy or feel a mind-body disconnect, nor am I attempting to invalidate their experiences, but the generalizations I wish to discuss have been scientifically validated, and I think they are worth noting.

First off, males and females have, on average, equal intelligence, but the range of possible intelligences for males is far more extreme. What this means is that males are far more likely to be geniuses and have above-average intelligence, but they are also more likely to suffer from cognitive disabilities and have low levels of intelligence. The implications of this fact are enormous, as it explains not only why Nobel Prize winners are usually male, but also why most school dropouts and people of exceptionally low IQ are also male. It also implies that in any society in which intelligence is rewarded, more males than females will rise to the top, as those with the highest level of intellect are more likely to be male, but that moves us into territory too nuanced and controversial to adequately discuss here.

Everyone knows that males tend to have higher levels of testosterone than females. What most people don’t realize is the sheer magnitude of this difference. Males can have up to 30 times the amount of testosterone coursing through their veins (and there is some anecdotal evidence to suggest that this number is too low to describe all cases). Testosterone is highly correlated with status-seeking behavior, of which physical aggression and risk-taking are simply two of many means to that end. The reason males tend to be more physically aggressive and take more risks is not driven by social conditioning, but rather biology playing itself out (you can observe this by noticing how even at ages far too young for social conditioning to have taken hold, males are more likely to engage in these behaviors than females).

Finally, a good neuroscientist can actually differentiate the brain based on sex. Female brains have a much higher ratio of white matter to grey matter, indicating a greater degree of connectedness between different parts of the brain. Males have 10 times more grey matter, indicating much higher levels of localized cognition. The degree to which these differences affect how males and females think and experience the world is still being investigated, but it would fly in the face of logic to suggest that such vast difference in structure would have no effect on cognitive output.

There are many out there who react to discussion of the differences between males and females with hostility, claiming that such thoughts will inevitably lead to sexism and belief in biological essentialism. I shouldn’t even have to point out that this is ridiculous. If there are differences, we should understand and respect them, not ignore them.

Maybe there are certain things that one sex will be better at than another. This doesn’t have to mean that one sex is any better than the other. It doesn’t grant one sex any greater moral worth. It simply means that human beings are equal, but not necessarily equivalent. It emphasizes that we are not all interchangeable–to some degree we are all unique and individual. In a society that places great value on the idea of individuality, why would you ever want to suppress that truth?

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Opinion

Third Eye Blind’s strong performance made Spring Concert memorable

Dylan Yuska

Contributing Writer

Lupe Fiasco lived up to his name, proving to truly be a fiasco last Friday night. Unfortunately, the Spring Concert wasn’t all it was cracked up to be, but only those who left early would call it a failure. Sure, Lupe Fiasco was a huge disappointment, with his reputation now only hovering slightly above that of Avicii, but Third Eye Blind gave an exceptional performance.

Unlike the other diva that failed to perform this year, Lupe Fiasco is actually taking responsibility for his sudden departure. His tweets seemed genuine enough. He is also apparently giving the money back. Who really expected that much from him anyway? The entire buzz prior to the concert was about Third Eye Blind and Frankie Muniz apparently being the drummer for Kingsfoil. When Lupe Fiasco left the building, not many people truly cared. People actually had more fun booing him than listening to him anyway. There was a reason the crowd didn’t shrink much after he deserted the stage.

That’s when the fun started though. After a wait that seemed longer than a line for a register, the lights dimmed again. This time the excitement was palpable. As a hooded figure approached the microphone, the crowd simmered. A jolt was felt throughout Sojka Pavilion. An enormous Third Eye Blind banner slid down in the background, white lights blasted the crowd and an eager voice roared on the microphone. People were excited for the band, and the band reciprocated the energy.

Lupe Fiasco blamed the sound system for his departure; Third Eye Blind couldn’t care less. Lupe Fiasco lamented about the color of the lights; Third Eye Blind joyfully pronounced their indifference toward the set. After a few jabs to Lupe Fiasco followed by loud cheers from the enthusiastic crowd, the concert truly began. Third Eye Blind rocked it. Everything from the crowd screaming “Jumper,” Public Safety shining lights on the crowd surfers, the new songs they previewed for us and even the encore I heard from outside the building made the night a memorable one. Lupe Fiasco may have disappointed us all, but it was nothing a little 90s rock couldn’t fix.

Don’t shoot the messenger on this one, but the Concert Committee has just had a rough year. Even in hindsight, the they have been bringing in some quality big-time performers, given the budge they have. No one warned the committee that Avicii would drown his pancreas in booze or that a hurricane would land in central Pennsylvania. Even Lupe Fiasco seemed like a reliable performer at the time. The committee has been doing a great job, but luck hasn’t been on its side this year. The committee has brought in a variety of genres that everyone can enjoy; they arguably covered three of the biggest genres University students listen to with house music, 90s rock and hip-hop/rap.

Avicii and Lupe Fiasco can now consider themselves “blacklisted” from the University, but not many people can honestly say they weren’t pumped up for both of these concerts. Sometimes the sails are set, but you don’t get any wind. The Concert Committee lacked the wind this year.

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Opinion Uncategorized

Allen Tran is one of the University’s most valued professors

El McCabe

Senior Writer

Allen Tran, Assistant Professor of Sociology and Anthropology, is the ideal University professor. His cultural anthropology class is well-structured, yet leaves room for the unexpected. He makes sure to integrate weekly videos that capture the interesting and eclectic cultures of other civilizations, which provide a welcome respite from lecture-style teaching. His teaching style is laid-back and his homework load is neither overwhelming nor pointless. He is not afraid to wear really cool, colored pants or let students out a few minutes early. 

Despite all these wonderful aspects of Tran and his teaching, his best characteristic is definitely his personality. Tran is extremely approachable and a funny guy. Not one class goes by without everyone laughing at his jokes. He manages to maintain his authority as a professor and connect with his students simultaneously, which is certainly an impressive feat not many professors can accomplish. He is also willing to help you study for tests and provide feedback on papers before they are due. It is clear that Tran wants his students to succeed and does everything in his power to provide his students with the tools necessary to do well.

Overall, he is just a very fun and down-to-earth professor. I promise you that if you take a class with him you will not be disappointed. If you are looking for an interesting professor who teaches interesting courses, Tran is the clear choice! After hearing all that, who wouldn’t want to take a class with the man, Tran?

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Bison Athlete of the Week Sports

Bison Athlete of the Week: Kyle Feeney ’13

The Bucknellian Archives
The Bucknellian Archives

Goalie Kyle Feeney ’13 has been an integral part of the men’s lacrosse team’s successful season. Already eighth all-time on the school’s career saves list, Feeney’s continued excellence defending the net has played a big part in the Bison’s current 9-2 record this season. In January, Feeney was selected in the eighth round of Major League Lacrosse’s Collegiate Draft by the Charlotte Hounds, one of two goalies and seven Patriot League players overall that were selected.

Feeney is putting the finishing touches on a fantastic career as a Bison. He was a second-team All-Patriot League selection in 2011, the same year he set a school record with 13 wins. During that season, Feeney was in goal for every game as the Orange and the Blue charged towards an eventual Patriot League Championship, and he excelled in the playoffs by recording 17 saves while allowing only eight goals.

During his junior year last season, Feeney was a first-team All-Patriot League selection, and he recorded a career high 169 saves.

Feeney’s stiff goaltending has made a direct impact on several outcomes this season. His 11 saves in the season opener against Delaware helped protect the team’s eventual 9-8 win, including stopping a Delaware charge with 20 seconds remaining. Feeney also had three saves in the final 66 seconds of a game against Bryant to preserve the Bison’s 10-8 victory. Finally, Feeney’s six saves proved vital for the Orange and Blue’s 9-8 upset of No. 2 Cornell.

Feeney’s success will hopefully aid the Bison in their quest for another Patriot League Championship. Come out and see Feeney and the rest of the men’s lacrosse team play their final home game against Lehigh next Friday.

 

Hometown: Greenwich, Conn.

Major: Civil Engineering

Win-loss record (this season): 9-2

Win-loss record (career): 28-16

Number of saves (this season): 90

Numbers of saves (career): 426

Save % (this season): .520

Save % (career): .555

Goals allowed per game (this season): 7.90

Goals allowed per game (career): 7.83

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Circus Ensemble Performs in Weis Center

Circus Ensemble Performs in Weis Center

By Laura Crowley

Circa, a circus ensemble from Australia, performed in front of a full audience in the Weis Center on March 28. For those familiar with circus performances, it is clear that the Circa ensemble displayed a more contemporary style of acrobatic and tumbling sequences.   During their 65-minute performance, seven of the 22 dancers of the group wowed the audience with their light-speed hula hoop twirling, stacks of dancers 15-feet high and intimate slow dances.

The ensemble is led by Artistic Director Yaron Lifschitz, whose  “work has been seen in 24 countries, across five continents by over 500,000 people,” according to the group’s website.

“Daredevil acrobatics, aerial dance, physical theatre and surprising contemporary dance combine to make Circa a unique phenomenon,” said Kathryn Maguet, executive director of the Weis Center for the Performing Arts.

Circa wowed the audience with its bold techniques, but unlike other circus performances, it incorporated humor and romance. In the more slow-paced dances, dancers would frequently begin the piece as if the dancers were simply hanging out together off-stage. Similarly, dancers would often pretend to fall and would openly express their exhaustion at times. Such antics helped make the dancers seem more approachable and relatable for the audience members, and while the dancers were certainly professionals, these acts made them seem more human.

Contemporary music and bold lights enhanced the physical beauty of the performance. When the music would turn off during the slower pieces, the cracking of the dancer’s joints could be heard as hundreds stared at their spine-twisting moves. The skill and beauty of the performers has been recognized by the New York Times, who called the group “stunning … exquisite … heart-stopping [and an] astonishing physical mastery.”

“Circa was an amazing experience … something unique and different that I have not seen on the stages of Bucknell before. It’s great to have a variety of art forms and professionals showcasing talents we don’t normally consider,” Kaitlin Marsh ’14 said.

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Uncategorized

Common Ground circulates posters as part of new campaign

 Somer Dice

Contributing Writer

The student organization Common Ground has begun circulating posters to initiate conversation among students about the divide between Greek and non-Greek affiliates.

The campaign, called “Imagine a Bucknell where … ” is part of a campaign to call attention to groups that “are sometimes taken for granted by the campus community,” said Ana Aguilera Silva ’14 of the Common Ground Staff of 2013.

Student staff members Silva, Xander Vining ’14 and Anthony Gomez ’16 said in an email to The Bucknellian that there is a common feeling among University students that “Greeks are prevalent in our community and dominate the social scene, while Independents are just here to study.”

Common Ground began advertising to draw attention to the program and encourage students to explore cultural and social issues on campus.

“Greeks and Independents aren’t getting along. We’re just trying to show them we’re all the same,” retreat facilitator Stephanie Gonthier ’15 said.

Common Ground is a student-run diversity immersion retreat that takes place during Fall Break and is designed to expand students’ worldviews surrounding issues like gender, race and socioeconomic standing.

The Common Ground staff said that future posters in the campaign will feature tokenism as well as other racial, social and cultural issues at the University.

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Author, journalist tells story of Jonestown massacre from new perspective

Jonestown Speaker

Laura Crowley

Prior to the 9/11 attacks, the Jonestown massacre held the record as the deadliest massacre in American history, with 909 fatalities in 1978. Despite this fact, it has received almost no attention in comparison with other tragedies. On April 3, journalist and writer Julia Scheeres discussed her new book “A Thousand Lives: The Untold Story of Jonestown” in her talk “Narrating Jonestown and the Peoples Temple.” This lecture was part of the spring lecture series, Jonestown: Reconsidered, that sheds light onto the tragedy that is brought to the University by the the Griot Institute for Africana Studies.

The Jonestown Massacre resulted after religious leader, Jim Jones, hoaxed hundreds of his church members into moving to Jonestown, Guyana to volunteer their services to locals and to live in an idyllic socialistic society that would be free from the malignant forces of race, class, gender and so forth. The good-doers were soon in trouble, as their charismatic leader, Jim Jones descended into madness and drug addiction, according to Scheeres. The volunteers were prohibited from leaving the intentional community of Jonestown and tortured to the point at which they agreed to suicide.

Scheeres was moved to write her book due to several parallels she saw between her life and the Jonestown story. Scheeres, who grew up in Indiana not far from Jones’ church, was sent to reform school in the Dominican Republic along with her adopted African-American brother. Both Scheeres and her brother experienced what she described as physical and psychological punishment.

Like the survivors of Jonestown, Scheeres struggles with demons from the past. Now an adult, Scheeres has moved to Berkley, Calif. in an effort to seek progressive thinkers like herself. While writing her book, Scheeres sought out several victims and witnessed how each survivor grapples differently with his past. One victim named Stanley is now in a mental hospital because, according to Scheeres, his present life fails to satisfy him as he experience in Jonestown, in which he sought to live in perfect socialistic harmony, as the “heyday” of his life.

In her book, Scheeres retells the story of five of the victims of the massacre, in an effort to present a humanistic view of the massacre. According to Scheeres, this approach “felt good” as she was finally able “to give these people a voice,” people who, she stressed, were not unlike you and me. Too many accounts of the story, she said, focus on Jim Jones and ignore the viewpoint of the hundreds of victims. Unlike other authors of the massacre, Scheeres described Jones as “boring.”

Additionally, Scheeres holds that too many accounts of the massacre view the event as a “mass-suicide” when it was really a “mass-murder.” The victims of the massacre didn’t simply “drink the kool-aid” as most people would argue. Rather, they were subjected to physical and psychological torture until they were so worn down that they consented to suicide. The victims of this massacre, Scheeres said, were not victims of themselves or of convoluted utopian thinking, but were strictly victims of Jones.

While members of the cult suspected Jones may not have been of such reputable character prior to the massacre, the members of the church in Indiana would “dismiss the quirky things he said because he would do so many good things for community.”

“A Thousand Lives: The Untold Story of Jonestown” presents us with a tale of suffering, manipulation, race and tragedy. The lecture series will continue on April 10 with “A Response from Students in the Jonestown Class” in the Terrace room at 7 p.m. and on April 17 with a lecture titled “Jonestown: Yesterday and Today” at 7 p.m. in Hunt Formal.  Stephan Jones, who is one of the children of Jim Jones, will host the latter event.

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News

Management 101 works to benefit Lewisburg Community Garden

Victoria Hollo

Contributing WRiter

The Lewisburg Community Garden, a partnership between the University and the Borough of Lewisburg, is located on the corner of St. Anthony and North Water Streets. Comprised of 12,600 square feet, the garden is divided in half between a large communal plot and rental sections for $20 per season.

The goal of the garden is to support community members who wish to be involved in organic gardening by providing land at an affordable rental price. The garden also increases access to healthy food options while lowering operational costs. The produce grown gets donated to local hot meal programs among the greater Lewisburg area, as well as to the Union County Food Bank.

The 2013 gardening season has begun and volunteers are currently busy planting over 1,500 seedlings in the University greenhouse for the plant sale on May 4. Volunteers have also been preparing the garden for the upcoming season by tilling the soil, according to Stacey Sommerfield, assistant director of Service Learning, who oversees the whole Community Garden program. Most planting will begin around May 15, the predicted date of the last frost, although certain crops that can withstand the cold may be planted earlier in April.

Recently, the garden acquired 4,000 square feet of additional land, approved by the Borough Council in March 2013. The extension will allow the garden to extend the number of rental plots available from 22 to 38.

The Community Garden provides a great way for University students and local community members to collaborate together. Last year over 300 community members volunteered thousands of hours and cultivated over 56 varieties of fruits and vegetables in the plot. Students who wish to participate in the program can sign up online on a week-by-week basis through the Community Garden’s website.

Connections between the campus and community continue to ensue. A Management 101 company has been working closely with the Community Garden in particular. This company decided to sell sunglass straps and tank tops after conducting extensive research on campus, and all of the profits will be donated to the company’s two service clients, Community Harvest and Community Garden.

“Our company is working with these two organizations to make a great impact on our local community here in Lewisburg,” Loren Jablon ’15 said.

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2013 Choreographer’s Showcase

Choreographer’s Showcase Performance

By Laura Crowley

This weekend, students will perform dances that range from modern, jazz, tap, ballet, hip-hop and Irish dance in the annual Choreographer’s Showcase. This dance performance is directed by Samantha Gosnell ’13 and Catharine Cipolla ’14 and features dances choreographed by students and professors alike.

While professors do contribute to the performances, the event largely reflects students’ personal work.

“The Dance Department allows [dancers] to operate autonomously,” Elyas Deen ’13 said. “They allow us to explore concepts important to us. Yet efforts from other members of the community are still present, as alumni guest artists and dance faculty have contributed to the choreography.”

Choreographers were selected by members of the dance department: Associate Professors of Dance Kelly Knox and Er-Dong Hu, and Assistant Professor of Theatre & Dance Dustyn Martincich.

According to Cipolla, the dancers were selected in an audition that consisted of “a warm up, combinations across the floor and then a final short combination made up of a few phrases of dance.” In the end, students were asked to improvise in order to show off their personal styles. After watching the dancers, students of the Dance Composition class, the student choreographers and faculty members selected dancers. Dancers from the Bucknell Dance Company are not allowed to participate in the dances, yet they do comprise some of the choreographers.

“The dancers in the Dance Composition class have never choreographed at Bucknell before,” Cipolla said.

The novelties in the performance will bring “new ideas, themes and creativity to each of their dances” Deen said. The work that will be presented is a “kinesthetic representation of how we understand our world and relationships with others, from the joyous to the somber,” Deen said.

This representation is extended to costumes that were selected to best match the themes of each dance piece. According to Cipolla, the costumes vary by piece since each dance tells a different story.

“Each semester presents a unique experience because there are different dancers, different choreographers and different motives,” Cipolla said. 

The performance will be held in the Tustin Theatre tonight at 8 p.m. and tomorrow at 2 p.m. and 8 p.m. Tickets are $5 and may be purchased at the Box Office or at the door in cash.