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Arts & Life Movies Review

“Looper” offers a glimpse into a complex and suspenseful future

Carolyn Williams
Writer

Rian Johnson’s latest movie “Looper” is an unusual take on the classic time travel motif. Dark, and uncomfortably more believable than many others of its predecessors, “Looper” is guaranteed to spark conversation.

In 2044, things are not going so well. Poverty and crime rates are higher than normal, and the general attitude towards life seems bleak, but other than that, this close future is pretty plausible. Our hero, Young Joe (Joseph Gordon-Levitt), reveals that 30 years into his own future, 2074, time travel has been invented, but was immediately outlawed. However, future gangs abuse the illegal transportation system to dispose of their victims. They send back their enemies to pre-designated spots where current hitmen are waiting to shoot them. These hitmen, or “loopers,” are well paid, but the work has a heavy price. Every looper must eventually “close his loop,” or kill his own future self, then try to enjoy the next 30 years, knowing exactly what’s coming for him later on. Young Joe himself is a looper.

So when Young Joe finds himself faced with the prospect of his own murder, he hesitates, creating an opportunity for Old Joe (Bruce Willis) to escape. Next follows the requisite “what happens in my future?” scene, where the pair stare at their past and future selves, but it’s not as silly as in some other films–the antagonism between the pair outweighs Young Joe’s natural curiosity, and Old Joe’s disdain for his former life is palpable.

Young Joe knows that if he doesn’t succeed in closing his loop, he will be killed immediately, but Old Joe comes back with a mission. He reveals that his future wife was killed because of his past, and that if he is able to kill the unknown person responsible now, while that person is a child, he’ll stop it all from happening and return to the future and his wife. Young Joe gets in his way, though. Along the way, Young Joe meets a young mother named Sara (Emily Blunt), and learns that her child is part of Old Joe’s hit list. As Young Joe attempts to piece together the best plan of action, the current crime ring starts looking for him as a fugitive, and all of this comes to a dramatic and unexpected head with the film’s ending.

It’s evident immediately that “Looper” is trying to emulate science fiction cult movies like “The Matrix.” Johnson and Gordon-Levitt have worked together before, in “Brick,” but this has none of its predecessor’s film noir style. This is all Hollywood, from the big fight sequences and explosions to Gordon-Levitt’s prosthetic face makeup so that he and Willis look remotely alike. The supporting cast is very solid, with a corrupt Jeff Daniels and a small part for Paul Dano, but overall, the film doesn’t quite deliver. Critics and fans’ opinions were mixed.

“‘Looper’ is a gritty, cold, suspenseful thriller that isn’t for the faint of heart. If ‘Looper’ offers a peak into the future, I think I’ll keep my eyes shut,” moviegoer Mike Williams said.

The film is definitely unusual and gets its audience thinking, but if one thinks about it too much, “Looper” might have a few loopholes too many.

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Arts & Life Campus Events Review

Dr. Counihan discusses gender and food activism

Anna Jones
Writer

On Oct. 25, Dr. Carole Counihan spoke to more than 50 students and faculty in the Willard Smith Library. Her message to the audience was that “food touches everything.” Food is the central item that connects everyone in all different parts of the world, making it something that should be enjoyed as well as protected. She explained that the way to do this is through “food activism,” advancing social and economic justice through food practices, and creating healthy, fair labor conditions as well as fair prices for consumers.

The leading front in food activism today is an organization called Slow Food. It focuses on getting people to slow down and enjoy their food, to make food healthier and to make food practices fairer for everyone involved.

As Counihan discussed Slow Food, her focus shifted to gender in food activism. She pointed out that there are more women working behind the scenes in food activism, yet more men take much of the credit. For example, while at a Slow Food conference, almost the entire board was made up of men, despite the fact that women do most of the actual work.

Although Slow Food has succeeded largely in Italy, with many schools having their own gardens to grow fruits and vegetables, it still faces opposition in other places. Counihan noted that taste versus price is a big issue. If people commit to wanting better tasting food, she said, they’d be willing to pay a little extra. The taste of food is meaningful and emotional, so it’s extremely important to the eating experience.

To conclude her talk, Counihan said that being “honest about your food” is the most important thing in food activism. As long as people are honest about where everything is coming from, food will be better made and people will be able to sit down and enjoy it more.

“This was a topic I’d never considered before, and I believe that more attention should be paid to the Slow Food industry in the United States,” Morgan Houchins ’16 said.

“Everything Dr. Counihan said was relatable to all people on our campus,” Sarah Antonacci ’16 said. “The lengths that some people take to obtain their food and get to know their food are incredible and respectable.”

Counihan is a food anthropologist and professor emeritus at Millersville University. She’s authored several books such as “Around the Tuscan Table: Food, Family, and Gender in Twentieth Century Florence” and “The Anthropology of Food and Body: Gender, Meaning, and Power.” She is editor of “Food in the USA: A Reader” and, with Penny Van Esterik, “Food and Culture: A Reader.” She’s also editor-in-chief of the journal “Food and Foodways.”

Counihan studied abroad in Italy directly following college and became fascinated with the differences between Italian and American food consumption. She returned to Italy many years later to intensely study these differences.

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Arts & Life Campus Events Columns Featured Music

Arts & Life Editor Christina Oddo ’14 sat down with Matthew Scannell, lead vocalist and guitarist for Vertical Horizon, before the concert on Oct. 26 at Uptown.

Arts & Life Editor Christina Oddo ’14 sat down with Matthew Scannell, lead vocalist and guitarist for Vertical Horizon, before the concert on Oct. 26 at Uptown.

How did you write the song “Everything You Want?”

“I was living in NYC and money was really, really tight, so it was like a time bomb ticking; when is this all going to crash and burn? One night at around 3:30 in the morning, I was asleep, but I heard this mantra. I thought, wow that’s really cool, I like that. I said I really should, being a ‘song writer,’ get up right now and write this down. But I thought, well it’s so good that I will easily remember it in the morning. I don’t have to get up now. And that never ever happens. You never ever remember anything in the morning. I roll over and I go back to sleep, like you do when you get a great idea. About an hour later, I heard the chords. I thought, I really should get up and write this, but I’m really tired. I’ll remember it in the morning. Then at about 5 o’clock in the morning, I heard the music, the mantra and the chorus all at once, and the lyric was there; everything was there. I said I have to get up now. I thought, this is cool. This is a good song and I need to get up and actually write it down. And it came out very quickly. Sometimes they’re easy like that, or really hard, like ‘Best I Ever Had.’ ‘Best I Ever Had,’ I probably worked on for about six months–coming back to it and going away from it. I knew it was a melody that felt right, but I didn’t know how to get there. And I was experimenting with it in third person. Ben Gross, who was working with us on the record, suggested that I use first person. And he was absolutely right. Instantly the song just came together, and created itself after that I guess.”

How do you prepare for a show?

“Unfortunately, I’m not a natural singer so I have to work at it, and I hate that. I have to rehearse and I have to do warm-up exercises. I take vocal lessons from a vocal coach in LA, and I keep the vocal lessons on my phone. I run down a vocal lesson before I go onstage, so usually about 25 minutes before we go on stage I’m singing and making all kinds of awful noises in the dressing room. And I definitely won’t let you record that!”

What is your favorite part of performing live?

“I love the interaction. I love it when people sing with us. I think that’s the biggest honor. I love the intimacy of that–even when it’s a big group of people. It feels like we’re unified. And the fact that it’s my music is a complete honor; that never fails to amaze me. I love that.”

What is your main inspiration for your music?

“Generally speaking, my experiences inspire me. They are things that I’ve gone through. Every once in a while I’ll write about something I imagine happens out there in the world, more of a story-style song. But most of my songs are first-person experiences, things that have happened to me, whether they are good experiences or bad experiences. They’re all the more real, and the lyrics feel all the more real, because they are things that have been lived. I am able to put a little bit more of my heart into it.”

What was your favorite album to create?

“‘Everything You Want’ was certainly one of the most important for us to create. It was the one that really raised the profile of the band, and made people around the world aware of our music. The latest record we are working on now, which will be out hopefully in the first quarter of 2013, is to me the most enjoyable thing we have ever done. It is the most laid back, the most natural we have felt in the studio. I think we are really comfortable with where we stand as a band. We are not forcing anything; we’re just letting it be. But at the same time, musically, we are reaching new places that are stylistically getting into some fresh territory for us: a little bit more influence from electronic music, dance music and a little more up tempo. Sometimes we tend to be in the mid-tempo songs. And I love quicker songs that really propel you, so this record has been a real thrill for me.”

What’s going to happen after this album comes out?

“We will certainly tour behind this record, and that probably means internationally as well. I know we are going to Asia in January, and maybe we will be able to play some of those new songs then. We will see how far we can take this record. I just plan for us to be able to keep doing this for as long as we can. In the music business it’s easy to make a plan and then realize, oh crap, we need to change the plan. I think for me, we agree to keep the goals very simple; the goal is to continue to play for our fans, and continue to be grateful because ultimately it’s the fans who enable us to play music, and it’s the only thing I’ve ever wanted to do in my life. It’s a please-and-thank-you kind of thing continuously for us. I am getting more into working with other artists as well. I hope to over time become a producer. That’s a really fun thing for me to do. And it doesn’t necessitate me being on a tour bus or in a bunk somewhere. I can be in my own bed.”

What artist would you want to work with in the future?

“The artists I want to work with are probably artists I haven’t heard of yet–that sense of wonder at hearing something brand new and exciting. I’m on a huge Elbow kick. I love that band. I just got the new Miike Snow record. I think that’s very interesting. I love working with women, too, because I am so used to the things I do as a man, that it is really refreshing to hear a woman’s voice. I’ve done it in the past a little bit, but it would be nice to find someone fresh and exciting and see what we could do.”

Categories
Arts & Life Columns Cooking Corner

Fat Free Pumpkin Cupcakes

Katie Mancino | The Bucknellian

Katie Mancino

Writer

Fat Free Pumpkin Cupcakes
75 calories, 0g fat, 20 carbs, 2g protein

I’m a total pumpkin addict, so luckily this is the time of year to make tons of pumpkin flavored things. These cupcakes are filled with cinnamon, nutmeg and ginger, giving it that delicious pumpkin-pie spice. You could also substitute a pumpkin-pie spice blend for these different spices. I decorated mine with a swirl of fat free Reddi-wip, a dash of cinnamon and some fall themed sprinkles. At only five additional calories (for two tablespoons), fat free Reddi-wip is a perfect low calorie alternative to frosting, and tastes fantastic on these cupcakes!

Makes 20 cupcakes

Ingredients

  • 1 cup canned pumpkin
  • 1 cup Truvia Baking Blend
  • 2 egg whites
  • 1/4 cup Silk Light Original Soymilk
  • 1/4 cup packed brown sugar
  • 1/2 Tbsp baking powder
  • 2 tsp cinnamon
  • 1/2 tsp nutmeg
  • 1/4 tsp ginger
  • 1 1/2 cups all purpose flour

Directions

  1. Preheat oven to 350 F. Lay out cupcake liners.
  2. Blend sugars and pumpkin.
  3. Add egg whites, soymilk and spices.
  4. Mix in flour.
  5. Add two heaping tablespoons of batter per cupcake liner (about 2/3 of the way full).
  6. Bake 20 minutes.
  7. Decorate and enjoy!
Categories
Arts & Life Columns

Trend Report: How To Pull Off Peplum

Trend Report: How To Pull Off Peplum

Kate Jansen

Writer

’Tis the season of Homecoming, Halloween and other festivities. If you fear that you’ve tired your old bodycons and bustiers from last season or your nighttime wardrobe no longer does you justice, then hopefully this column will give you some guidance. In the spirit of going out, I give you the latest not-so-frightening fall trend: the peplum blouse.

Peplum blouses are form-fitting like a corset top, but with added flare. They are definitely a go-to for hiding those post-Halloween pounds that you may or may not have packed on. While doing my research on online stores such as Nasty Gal, Free People and Urban Outfitters, I have come to the conclusion that a solid-colored peplum tank or blouse would be a great investment. A black peplum tank, for example, looks chic with dark-wash or printed skinny jeans. Accessorize with flats or knee-high boots and drop earrings and you’re ready to go out.

Peplum dresses and skirts have also caught my attention. They are excellent wardrobe staples because they are formal and flirty. Urban Outfitters offers a variety of peplum dresses in print, lace and jersey material (I currently have my eye on a black lace Pins and Needles number). On the other hand, peplum skirts (see Nasty Gal for a great selection) can be paired with crop or corset tops or, if you’re attending a more formal event, a tucked-in chiffon blouse. On cool fall evenings, peplum dresses and skirts can be paired with neutral tights or leggings and ankle or knee boots.

The next time you’re looking to breach the fashion status quo or are looking for a wardrobe update, don’t let this fall’s peplum trend spook you.

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Arts & Life Columns Humor Rees' Pieces

Rees’ Pieces: Sandy

Ben Rees

Writer

Sandy

(I would like to preface this by reminding everyone that this is a humor column; I understand fully that these storms are very serious and I mean to be sarcastic, not offensive. I have chosen my words very carefully in order to be respectful.)

Although this column won’t be published until post-Sandy, I would like to think about the upcoming tempest. After staring at the imposing skies, all I can stress is how glad I am that Doppler radar exists–and that I’m not a pilgrim. 

I cannot imagine the day prior to a hurricane without any sort of warning mechanisms. My grandfather’s rickety knee or a salty sea dog’s grumblings wouldn’t help to calm me down if something like this were on its way. If I were to return home from a long day on the farm–which consisted of shucking a couple bushels of corn, adjusting my horrendously uncomfortable clothes and digging the birthing trench for my seventh child, only to find that three sheep had been snagged by rustlers–then the last thing I would want is to be hit by a hurricane.

The main message of my temporal ramblings is to illustrate how fantastically fortunate we are because we are not still fighting off natural disasters with rain dances. If we can learn nothing from Dennis Quaid’s astonishing performance in “The Day After Tomorrow,” aside from Jake Gyllenhaal’s early peak, then we must be aware that severe weather is a force to be reckoned with. Even though we don’t have things nearly as bad as the pilgrims, we still need to be prepared for natural disasters. That means a few things.

One: Go to Costco. Nothing is nearly as comforting as knowing that you have enough pizza bagels and Gatorade to get through the worst. While there, don’t hesitate to push other shoppers around. This suggestion is even more important when dealing with the $5 movie bin. Nobody’s well-being is worth missing out on two copies of “Bad Boys II.”

Two: Buy yourself a kayak. It will provide you with a method of flotation and amusement.  As we found out last year, nothing is quite as fun as paddling through ruined college housing and raw sewage. It reveals a sense of greater perspective. 

Three: Don’t worry about Avicii. His music won’t sound any worse underwater. Isn’t “Levels” about watersheds anyways?

Four: Prepare for power outages. This may sound routine, but when is the last time we went a day without our phones? You only have so many hours of mobile Netflix, so please, please use them carefully. Also, for heaven’s sake, go on Facebook and tell everyone about the storm. Because phone and laptop batteries may die, nobody will comprehend what is happening outside unless they are bombarded with Sandy statuses.

All jokes aside, this storm is scary. It should be over by the time this is published, and I greatly hope that nobody has been affected too adversely. Famous British actor Sir Peter Ustinov said “Comedy is simply a funny way of being serious.” In this very serious situation, I hope that everyone still can find the time to laugh at something, and whether or not it is my column, let’s hope things come out all right.

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Arts & Life Campus Events Review

Macbeth

 

Estie Pyper | The Bucknellian
Elyas Harris ’13 completely encompassed the role of Macbeth, reciting his line with intensity, confidence, and a sense of personal ownership.

Christina Oddo
Arts & Life Editor 

This past weekend, a group of students performed one of Shakespeare’s most renowned works. The University’s Department of Theatre and Dance was proud to present “Macbeth” on Oct. 19-22 in Tustin Theatre. This production was directed by Anjalee Deshpande Hutchinson, assistant director of theatre and dance, aided by assistant directors Gwenn Gideon ’15 and Bronwyn Barnwell ’15.

The set of the production itself included a staircase leading to a door, a trap door in the floor and other openings and pathways. Realistic sound effects, as well as projected images and footage and fog effects, allowed for an even more three-dimensional performance. At multiple times during the production, actors performed right in front of the first row of the audience. Such a cozy venue allowed for great audience engagement, and an up-close, intense experience.

Estie Pyper | The Bucknellian
Michael Strauss ’14 conveys his role through his relationships with the other actors onstage.

“One challenging aspect of this production was being open to all the historical interpretations of Lady Macbeth while also letting go of all preconceived notions and letting her spirit emerge organically,” said Victoria Moyer ’13, who played Lady Macbeth in the production. “Another challenging aspect for me was to open myself to my own darker nature in order to become Lady Macbeth. The idea of ‘what’s done cannot be undone’ weighed really heavily on me each night … It was such a roller coaster experiencing Lady M’s highest hopes and dreams transformed into her worst nightmares for the past weeks.”

The actors grew as artists through the development of relationships with one another and with their characters.

Estie Pyper | The Bucknellian
Katrina Medoff ’13 acts as one of the three Wyrd Sisters. Eerie body movement, along with excellent lighting, costume, and stage setup, add to each of the Wyrd Sisters.

“We had an amazing cast–I think each one of us opened ourselves, to each other, as fellow creators and artists,” Moyer said. “I had an eye-opening experience developing the relationship of the Macbeths with my phenomenal fellow actor, Elyas [Harris ’13] , and I felt the complexity of our bond and eventual undoing grew immensely with each rehearsal.”

At first, the students needed to tackle Shakespearean language in order to capture and portray the true essence of emotion on stage. Over time, it became less about memorization, and more about immersion.

“Having time over the summer to memorize lines and study the poetry and form of the text was necessary so that the physical exploration could happen right away this semester,” Moyer said.

The actors grasped the language so fully that emotion was expressed with what seemed like ease.

“Everyone was so talented; it brought much more emotion to Shakespeare than I expected,” Nicole Davis ’15 said.

The actors became their characters with this great understanding of the language and its meaning.

“In Shakespeare’s world, the characters are not afraid to speak, and they must articulate for their very survival,” Moyer said. “Being immersed in Shakespeare’s language has rekindled my passion for this kind of expression, yet I am dismayed sometimes to find our generation operating in a mode of stuttering, trailing off, indecisiveness, neglecting the power of the voice. I hope that the audiences this weekend were moved not only by the power of the story, but by the power of the language.”

Above all, the cast not only became a closer group of artists and performers, but also a closer group of friends, creating and enforcing a group environment in the theatre.

“Macbeth was a group effort,” Ethan B. Van Buskirk ’13, who played Angus and Lord said. “Everyone was on top of it; lines down, cues up, extra hours from everyone. Anjalee was great too. She had a strong sense of what needed to happen in the show, but was exceptionally flexible and receptive to everyone’s input. The best part of the show for me was easily the sense of community. Theatre doesn’t exist in a vacuum, it needs people to thrive–including not only production, but the audience.”

 

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Arts & Life Campus Events Review

Oktoberfest events at Uptown prove successful

Laura Crowley
Senior Writer

On Oct. 19, Uptown held Oktoberfest, at which students over 21 were offered three free drinks per person. In the spirit of October and the German holiday Oktoberfest, students were offered Sam Adams’ Oktoberfest draft and hot pretzels. Alternative options of Coors Light, wine and non-alcoholic beverages were also available. The three-drink limit was enforced by a wristband system in which bartenders removed tabs from the band after each drink.

Games of pool and foosball were active all throughout the event, which lasted from 9 p.m. to 1 a.m. The music consisted of a DJ who opened the floor up to karaoke for students on several occasions.

“It was my first time at pub night at Uptown, and it definitely won’t be my last,” Ben Sunshine ’13 said. “The atmosphere was very relaxed and I didn’t feel cramped once inside.”

The turnout was substantial, as the bar was quite full towards the end of the night.

Pub Nights at Uptown are typically held on the last Friday of each month, and are a fun way to enjoy time with friends while maintaining a budget.

Uptown also hosted a non-alcoholic Oktoberfest event on Oct. 20. Uptown provided students with free mugs and access to a Birch beer keg. Soft pretzles were also served, along with pierogi and mini brownie dessert bites. Face-in-hole photos and holiday-related music were other fun additives to the event.

“The non-alcohol event, BisonHaus, proved that people can have fun without drinking. Face-in-hole cut outs, free souvenir mugs and typical German food made the event memorable,” Emilie Ratajczak ’15 said. “It is definitely an event that has so much potential, so we hope to hype it up more next year.”

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Arts & Life Campus Events Review

ACE presents a night of Mexican food and activities

Anna Jones
Writer

After several weeks of intensive planning and advertising by the Spades Committee of Activities and Campus Events (ACE), headed by Asha Harvey ’15, the committee pulled off a successful Fiesta Night in the Terrace Room on Oct. 19.

Upon walking into the room, guests were overwhelmed by the sound of festive music and the enticing smells of Mexican food, including make-your-own tacos and burritos. On the other side of the room, there was a long table filled with bowls of chips and just about every kind of salsa possible, ranging from extremely spicy to more mild. If your taste buds needed something to cool down, virgin margaritas were being served in the middle of the room. In another corner sat cinnamon covered churros with vats of chocolate for dipping. People raved about the food, which was prepared by the University’s dining staff. 

One of the main events of the night was the hot pepper eating contest.

“[It] was a huge attraction for many attendees,” Harvey said.

Harvey said they wanted to “facilitate friendly competition,” and that the committee is working to make the competition even better for next year’s Fiesta Night. This year’s winner was Farhan Altaf ’15, who won a piñata full of $50 in cash and lots of candy.

Guests also had the opportunity to take part in the Mexican piñata activity. Upon entering the Terrace Room, every guest received a ticket with a number. Every 15 minutes, ACE committee members drew five numbers; whoever’s number was called got the chance to swing at the piñata three times after being blindfolded and spun around three times.

After several people beat up the piñata, it fell to the ground and there was a mad rush for the candy inside. A few pieces were labeled with bright green tags; the lucky winners of these pieces won gift cards to shops in downtown Lewisburg. One of the winners was Meghan Mahoney ’16.

“I expected that I had gotten a free Milky Way bar, but it turned out that I’d won a $10 discount at any store downtown. It was a very nice surprise!” Mahoney said.

For the more artistically inclined students, there was a table for decorating maracas and Mexican fans with markers. The Latino Dance Corner performed a dance and even gave a short lesson on the tango to students. For even more of a Mexican feel, ACE had flower pins for guests to put in their hair.

Finally, there was a “guess how many beans” contest. Students could guess how many beans were in a jar, and the closest estimate won a $30 gift certificate to El Caporal, a Mexican restaurant in Lewisburg. Patience Osei ’14 was the lucky winner of this gift certificate.

With almost 300 guests, Fiesta Night turned out to be a huge success.

“I’d say it was a success,” Harvey said. “The Latin Dance Corner turned up the heat and we had so much going on it wasn’t a surprise that people stayed the whole night.”

ACE has many more events planned for this semester, including Casino Night this weekend at the Campus Theatre and BU After Dark on Nov. 2.

“ACE activities are great ways to bring the entire community together and break down boundaries,” Harvey said.

Categories
Arts & Life Books Review

Character voice in Diaz’s third book proves to be irresistible

Carolyn Williams
Writer

Pulitzer Prize winner Junot Diaz’s third book, “This Is How You Lose Her,” is of that rare, awesome breed which combines readability with literary merit. This is the first book in a while that I have been genuinely unable to put down.

For anyone unfamiliar with Junot Diaz’s rather unique style, here’s an excerpt from page one of the first short story in the collection, “The Sun, the Moon, the Stars:”

“See, many months ago when Magda was still my girl, when I didn’t have to be careful about almost everything, I cheated on her with this chick who had tons of eighties freestyle hair … Magda only found out because homegirl wrote her a fucking letter. And the letter had details. Shit you wouldn’t even tell your boys drunk.”

So there you have it. If this sort of writing doesn’t appeal to you, it’s probably best you stop reading here. But if this small sample whets your appetite, the collection only gets better as it goes on.

Diaz focuses eight out of nine of these stories on Yunior, whose misadventures in love are referenced in the title, and who figures both in Diaz’s first collection, “Drown,” and his acclaimed novel, “The Brief Wondrous Life of Oscar Wao.” Yunior, like Diaz, is a Dominican author and professor living in the Boston area, but the stories deal more with his coming of age and coming to terms with himself than the actual business of falling in and out of love. Romantic relationships play heavily throughout, but there is much more emotional writing of loss and familial love as well.

Yunior, though he tries to avoid it, has inherited the “cheating gene” of his father and older brother, and, well intentioned though he may be, cannot stay faithful to the women in his stories. He’s far from heartless, though. He bemoans his condition, spends the final story in the collection, “A Cheater’s Guide to Love” trying to get over a lost love interest for years, but he can’t shake this family curse.

Whether he’s demonstrating his status as a Dominican outsider in a white America or personally proving just how hard a good man is to find, Yunior’s voice is what makes this collection so excellent. Diaz’s interplay of English and Spanish, or slang and literary reference, are so unusual they become addictive. A great narrative voice can really make or break a book, and Yunior’s seals the deal for “This Is How You Lose Her.” I seriously cannot recommend it enough. As Yunior, that consummate cheater in love would say, “the half-life of love is forever.” And trust me, that’s pretty much how long you’ll be in love with Diaz’s book.